Painting

‘Rain, Steam and Speed — The Great Western Railway’, 1844, by J.M.W. Turner

Tate Britain’s Turner show reveals an old master - though the Spectator didn’t think so at the time

27 September 2014 9:00 am

Juvenilia is the work produced during an artist’s youth. It would seem logical to think, therefore, that an artist’s output…

Portrait of a couple as Isaac and Rebecca, known as ‘The Jewish Bride’, c.1665, by Rembrandt

Why everyone loves Rembrandt

27 September 2014 8:00 am

Talking of Rembrandt’s ‘The Jewish Bride’ to a friend, Vincent van Gogh went — characteristically — over the top. ‘I…

‘Interior (Innenraum)’, 1981, by Anselm Kiefer

'I like vanished things': Anselm Kiefer on art, alchemy and his childhood

20 September 2014 9:00 am

Martin Gayford talks to a surprisingly jolly Anselm Kiefer about art and metamorphosis

‘Futurist Motif’, 1920, by Gerardo Dottori

Futurism’s escape to the country

23 August 2014 9:00 am

Futurism, with its populist mix of explosive rhetoric (burn all the museums!) and resolutely urban experience and emphasis on speed,…

Who’s in, who’s out: George Bernard O’Neill’s ‘Public Opinion’ depicts a private view of the annual exhibition at the Royal Academy

The age of the starving artist

26 July 2014 9:00 am

Philip Hensher on the precarious fortunes of even the most gifted 19th-century artists

Dear Mary: How can I tame my brother’s savage table manners?

26 July 2014 9:00 am

Q. I live far away from my brother and his family, but went to stay with them recently for the…

Della Francesca’s ‘Resurrection’

The mathematical revolution behind ‘the greatest picture in the world’

19 April 2014 9:00 am

The Indian inspiration with which Piero della Francesca created ‘the greatest picture in the world’

Do critics make good artists? Come and judge ours

1 March 2014 9:00 am

Artists make good critics, but do critics make good artists? It’s hard to tell, when most are too chicken to…

A spirit to warm Bruegel’s ‘Hunters in the Snow’

15 February 2014 9:00 am

The ostensible subject matter is misleading, as is any conflation with his lesser relatives’ wassailing peasants and roistering village squares.…