Chilling: Arthur Pita’s The Little Match Girl at Sadler’s Wells reviewed
Did your feet twitch? That’s the test of The Red Shoes. Did your toes point? Your ankles flex? Your arches…
The big burly blokes who make infinitely precise pointe shoes by hand
Pauline, Petrova or Posy? Which Fossil sister are you? Or, rather, which Fossil sister did you hope to be when…
From cartoons to stage design: the genius of Osbert Lancaster
‘Bigger,’ said Sir Osbert Lancaster when asked the difference between his work for the page and for the stage. ‘Definitely…
Be more carthorse: why we would all benefit from a little self-loathing
Leaving the auditorium of the Royal Opera House last week after The Sleeping Beauty, I passed a woman taking selfie…
Unsettlingly faithful to the spirit of Schiele: Staging Schiele reviewed
‘Come up and see my Schieles.’ Those were the words that ended a friend’s fledgling relationship with an art collector.…
A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed
Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…
Tat Britain: Museum gift shops are naff – but necessary
Exit through the gift shop. Pick up a postcard, a magnet, a novelty eggcup in the shape of Queen Elizabeth…
Manon can be magnificent, this one was merely meh
Manon: minx or martyr? There are two ways to play Kenneth MacMillan’s courtesan. Is Manon an ingénue, a guileless country…
You’ll be blubbing over a wooden boulder at David Nash’s show at Towner Art Gallery
Call me soppy, but when the credits rolled on ‘Wooden Boulder’, a film made by earth artist David Nash over…
The many faces of William ‘Slasher’ Blake
‘Imagination is my world.’ So wrote William Blake. His was a world of ‘historical inventions’. Nelson and Lucifer, Pitt and…
Nothing sings and shimmies like Alvin Ailey
Hit them with your best shot? Or save the best till last? Almost 30 years after Alvin Ailey’s death in…
Whooshing seedlings and squabbling stems: Ivon Hitchens at Pallant House reviewed
Set down the secateurs, silence the strimmers. Let it grow, let it grow, let it grow. Ivon Hitchens was a…
How woke is your home?
Quick! Roll up the Persian carpet. Hide the willow-pattern service. Sweep the wok and chopsticks under the Berber rug. Mr…
Daffy charm and diabolo tricks: Bolshoi’s The Bright Stream reviewed
The Bright Stream is a ballet about a collective farm. Forget everything you know about collectivism — the failed harvests,…
Silly but stellar: Bolshoi Ballet’s Spartacus reviewed
It’s togas-a-go-go as the Bolshoi bring Yuri Grigorovich’s 1956 ballet Spartacus to the Royal Opera House. Oh dear, I did…
Before Quentin Blake, there was Nancy Ekholm Burkert – Dahl’s forgotten illustrator
Bunnies were out. Beatrix Potter had the monopoly on rabbits, kittens, ducks and Mrs Tittlemouses. ‘I knew I had to…
Pam Tanowitz’s Four Quartets is a revelation
T.S. Eliot’s Four Quartets is full of music and movement. The players, such as they are, slip, slide, shake, tumble,…
Snog a Tory: Why you should learn to step outside your comfort zone
Ew! Are you squeamish? Are you grossed out by meat, by fish, by eggs, by scales and suckers and shells…
Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades
Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…
The joy of jousting
Emperor Maximilian I liked to say he invented the joust of the exploding shields. When a knight charged and his…
Electrifying: English National Ballet’s She Persisted reviewed
‘Where was the Kahlo brow?’ asked my guest in the first interval of English National Ballet’s She Persisted, a triple…
A masterclass of menace and magnificence: Romeo and Juliet reviewed
Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…
Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed
Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…
Odious, endless dross: Tanztheater Wuppertal Pina Bausch reviewed
Please believe that I try to give every production my full attention, to do due diligence, to blink and miss…
Clucking hell – hen parties are just awful
‘Last fling before the ring.’ ‘Buy me a shot, I’m tying the knot.’ ‘Keep calm and bridesmaid on.’ If you…
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