Without Joe Grundy The Archers feels lost
There was something really creepy about listening to the ten-minute countryside podcast released last weekend by Radio 4 supposedly transporting…
What’s the point of the Today programme?
What else is there to write about in the week that John Humphrys, that titan of the BBC airwaves, retires…
General de Gaulle’s advice to the young Queen Elizabeth
There were so many ear-catching moments in Peter Hennessy’s series for Radio 4, Winds of Change, adapted from his new…
Why 80 per cent of young people in this Macedonian town have turned to posting ‘fake news’
It’s such a relief to turn on the radio and hear the voice of Neil MacGregor. That reasoned authority, his…
The joys of Radio 4’s Word of Mouth
I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was…
Will you last beyond the madeleine? Radio 4’s In Search of Lost Time reviewed
The madeleine upon which Proust’s seven-volume epic In Search of Lost Time pivots makes its significant appearance after just 18…
Two sides to every story
Maybe the equality inspectors at the corporation didn’t get the chance to vet Richard Littlejohn’s series for Radio 2, The…
The woman who wrote Afghanistan’s electoral laws lives on a houseboat in Bristol
By the age of eight Vaira Vike-Freiberga had learnt that life was both ‘very strange and very unfair’. Her baby…
How to talk to astronauts
Television has the pictures but the most spine-tingling moments in the recordings from the Apollo space missions are the bursts…
An important story but not for the faint-hearted: Deadliest Day podcast reviewed
One of the advantages that podcasts have over the scheduled array of programmes is the space that can be given…
Jonathan Dimbleby is right: we need to rise up and defend the BBC
There’s been a Dimbleby on air since before I was born but last Friday saw the end of that era…
What drives Emily Maitlis?
It can’t be easy to find yourself on the other end of the microphone when you’re a journalist of the…
What Mary Wollstonecraft writes about motherhood is still so relevant
Walking into Fingal’s Cave, after scrambling across the rocks to reach it from the landing stage where the boat from…
The extraordinary life of 104-year-old dancer Eileen Kramer
It’s not often you hear the voice of a 104-year-old on the radio. You’re even less likely to hear one…
What would you do if you were a Syrian migrant?
‘Put yourself in their shoes,’ says Zahra Mackaoui, a British-Lebanese journalist who has been following the stories of refugees from…
Forget the The Reith Lectures. To understand the world listen to George the Poet
At last a podcast that takes the medium to its limit, created by someone who loves listening, understands how it…
The mosque where it’s the men who make the tea
On returning from a brief trip to Istanbul, where inside the mosques women are still very much kept to one…
Female contestants in Afghanistan’s X Factor are dicing with death
The cheering fans, the dramatic Hollywood-style drum rolls, the excitable host all sound just like The X Factor or The…
Why do we still use the Qwerty keyboard layout and not Dvorak?
‘Can you fly down this evening?’ she was asked by her boss in the Delhi office of the BBC. ‘Yes,…
Why was Something Understood cut?
It was never given the choicest slot in the schedule, airing first thing on Sunday morning with a repeat at…
The daunting, uplifting prose of The Psalms
As if in defiance of the BBC’s current obsession with programming designed to entice in that elusive young and modish…
The man who changed the sound of radio
He is said to ‘have changed the sound of speech radio’, not just by giving voice to those who until…
Art is often best experienced on the radio
At its best audio can be a much more visual medium than the screen. Making Art with Frances Morris (produced…
Listening to plays in a foreign language is a weirdly engaging experience
As the ravens circle around Broadcasting House in London’s West End, presaging difficult times ahead for BBC Radio, with less…
Is the increasing secularisation of funerals a good thing?
‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…
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