Painting
Now you see it, now you don’t
The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…
Indiscreet astronaut
Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…
The bitterness of Bacon
When Michael Peppiatt met Francis Bacon in 1963 to interview him for a student magazine, the artist was already well-established,…
Touchy-feely – not
‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of…
Life after death
This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…
Portrait or landscape?
One of the default settings of garden journalists is the adjective ‘painterly’ — applied to careful colour harmonies within a…
Fairground attraction
Gianlorenzo Bernini stressed the difficulty of making a sculpture of a person out of a white material such as marble.…
The Craig-Martin touch
The Royal Academy Summer Exhibition has very little in common with the Venice Biennale. However they do share one characteristic.…
Tribes of one
The British painter Nina Hamnett recalled that Modigliani had a very large, very untidy studio. Dangling from the end of…
He’s got rhythm
One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk…
‘Paint goes on living’
Maggi Hambling on Rembrandt, Twombly and the power of art
Sonia alone
In 1978, shortly before she died, the artist Sonia Delaunay was asked in an interview whether she considered herself a…
The true flower of dawn
Leonora Carrington is one of those jack-in-the-boxes who languish forgotten in the cultural toy cupboard and then pop up every…
Making faces
The history of portraiture is festooned with images of sitters overwhelmed by dress, setting and the accoutrements of worldly success.…
American beauty
It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…
The power of nightmares
It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…
Monet maker
When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…
Russia with love
They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage.…
Easy does it
The artist Malcolm Morley once fantasised about a magazine that would be devoted to the practice of painting just as…
Christ of the coal mines
William Cook reports from the sooty netherworld that made an artist of Vincent Van Gogh
Double Dutch
‘Whoever wishes to devote himself to painting,’ Henri Matisse once advised, ‘should begin by cutting out his own tongue.’ Marlene…
Back to the future
Almost a decade ago, David Cameron informed Tony Blair, unkindly but accurately, ‘You were the future once.’ A visitor to…
Double vision
In 1933, two new students met on their first day at Glasgow School of Art. From then on they were…
Strokes of genius
The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford
Diary
Andrew Marr 22 August 2015 9:00 am
This is the Corbyn summer. From the perspective of a short holiday, my overwhelming feeling is one of despair at…