Richard Bratby

Malcolm Arnold was a traumatised wreck of a man at his death but his music was joyous!

19 October 2019 9:00 am

Never meet your heroes, they say. But if you grew up with classical music in the 1980s, there was fat…

More misogynistic than the original: ENO’s Orpheus in the Underworld reviewed

12 October 2019 9:00 am

It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…

Simon Rattle’s Messiaen is improving with age

21 September 2019 9:00 am

Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound…

Needed a shot of Stolichnaya: The Tchaikovsky Project reviewed

31 August 2019 9:00 am

Grade: B+ I’m not sure about ‘Projects’. Aren’t those what ageing rockers produce, in a haze of sedatives, when their…

Why this première felt important: James MacMillan’s Fifth Symphony reviewed

24 August 2019 9:00 am

All symphonies were sacred symphonies, once. Haydn began each day’s composition with a prayer, and ended every score with the…

Bracing and provocative – but would Wagner have approved? Arcola’s Rheingold reviewed

10 August 2019 9:00 am

When it comes to the opening of Wagner’s Das Rheingold, Mark Twain probably put it as well as anyone: ‘Out…

Clare Presland as Susanna in Il segreto di Susanna at Opera Holland Park Image: © Ali Wright

It’s not fair – I liked Il segreto di Susanna before it was cool: OHP’s double bill reviewed

3 August 2019 9:00 am

Should a secret pleasure ever be shared? Spoiler alert: Susanna’s secret, unknown to her husband Gil, is that she smokes.…

An overcooked blowout: Glyndebourne’s Die Zauberflöte reviewed

27 July 2019 9:00 am

Think back to when you were 12, and the sensation of re-opening your favourite book. (This is The Spectator; I’m…

A sonic masterclass: the Silesian String Quartet at Wigmore Hall reviewed

20 July 2019 9:00 am

Of all the daft notions about the classical music business, the daftest is that it’s a business at all. Seriously:…

Can an Offenbach production be too silly? Garsington’s Fantasio reviewed

22 June 2019 9:00 am

The tears of a clown have often fallen on fertile operatic ground. Think of Rigoletto and I Pagliacci; or The…

Easily the best thing I’ve seen at the Grange Festival: Falstaff reviewed

15 June 2019 9:00 am

‘Tutto nel mondo e burla’ sings the company at the end of Verdi’s Falstaff — ‘All the world’s a joke’…

The miracle of Longborough – the company that broke the mould for summer opera

8 June 2019 9:00 am

At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink…

The ideal summer opera: Garsington’s The Bartered Bride reviewed

8 June 2019 9:00 am

So it’s the start of the summer opera season at Wormsley and we’re sitting there in evening dress in the…

The composer sir Michael Tippett. Credit: Erich Auerbach/ Stringer

This concert proves it is time to take Michael Tippett seriously

11 May 2019 9:00 am

In Oliver Soden’s new biography of Michael Tippett, he describes how Tippett wanted to open his Fourth Symphony with the…

Richard Ayres' The Garden at the Queen Elizabeth Hall. Image: © Mark Allan

Hearing Gilbert & Sullivan on period instruments was a revelation

27 April 2019 9:00 am

‘I consider that music is, by its very nature, essentially powerless to express anything at all,’ wrote Stravinsky in one…

Why did Parry’s Judith vanish?

13 April 2019 9:00 am

‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…

Aurora Orchestra’s Brexit concert nearly turned me into a Leaver

6 April 2019 9:00 am

Back when the UK was assumed to be leaving the European Union on 29 March, the Aurora Orchestra was invited…

Jonas Kaufmann and Anna Netrebko in Royal Opera's La forza del destino. Photo: Bill Cooper

The most glorious singing anyone born after 1970 will ever have heard: La forza del destino reviewed

30 March 2019 9:00 am

To stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The…

Fresh and wild: Chrystal E. Williams as Lady Macbeth and Brenden Gunnell as Seryozha in Graham Vick’s Lady Macbeth of Mtsensk

Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed

23 March 2019 9:00 am

You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…

Opera North’s Rite of Spring shows the advantages of confining the music to the pit

2 March 2019 9:00 am

It was Stravinsky himself who suggested that, in order to preserve its difficulty, the opening bassoon solo of The Rite…

How good really was Berlioz?

23 February 2019 9:00 am

Hector Berlioz was born on 11 December 1803 in rural Isère. ‘During the months which preceded my birth my mother…

World-class: Symphony Orchestra of India in its tropical Barbican in Mumbai

Meet India’s first – and only – professional western orchestra

16 February 2019 9:00 am

It’s a 31ºC Mumbai morning, and on Marine Drive the Russian winter is closing in. The Symphony Orchestra of India…

Kang Wang as Tamino in Opera North's new Magic Flute. Photo: Alastair Muir

Only adults struggle with The Magic Flute. Kids get it

2 February 2019 9:00 am

Spoiler alert: it’s all a dream. At least, I think that’s what we’re meant to take away from the business…

It’s Christmas. You don’t want Götterdämmerung. You want a waltz-operetta

15 December 2018 9:00 am

Grade: A– 1898: two Parisiennes and a housemaid secretly invite each other’s partners to the Paris Opera ball and… c’mon,…

Gidon Kremer and the Kremerata Baltica performing performing Mieczyslaw Weinberg's Concertino for Violin and Strings in 2014. Photo: Hiroyuki Ito/ Getty Images

As a symphonist, Mieczyslaw Weinberg was a master: Weinberg Weekend reviewed

1 December 2018 9:00 am

It’s a strange compliment to pay a composer — that the most profound impression their music makes is of an…