Easily the best thing I’ve seen at the Grange Festival: Falstaff reviewed
‘Tutto nel mondo e burla’ sings the company at the end of Verdi’s Falstaff — ‘All the world’s a joke’…
The miracle of Longborough – the company that broke the mould for summer opera
At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink…
The ideal summer opera: Garsington’s The Bartered Bride reviewed
So it’s the start of the summer opera season at Wormsley and we’re sitting there in evening dress in the…
This concert proves it is time to take Michael Tippett seriously
In Oliver Soden’s new biography of Michael Tippett, he describes how Tippett wanted to open his Fourth Symphony with the…
Hearing Gilbert & Sullivan on period instruments was a revelation
‘I consider that music is, by its very nature, essentially powerless to express anything at all,’ wrote Stravinsky in one…
Why did Parry’s Judith vanish?
‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…
Aurora Orchestra’s Brexit concert nearly turned me into a Leaver
Back when the UK was assumed to be leaving the European Union on 29 March, the Aurora Orchestra was invited…
The most glorious singing anyone born after 1970 will ever have heard: La forza del destino reviewed
To stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The…
Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed
You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…
Opera North’s Rite of Spring shows the advantages of confining the music to the pit
It was Stravinsky himself who suggested that, in order to preserve its difficulty, the opening bassoon solo of The Rite…
How good really was Berlioz?
Hector Berlioz was born on 11 December 1803 in rural Isère. ‘During the months which preceded my birth my mother…
Meet India’s first – and only – professional western orchestra
It’s a 31ºC Mumbai morning, and on Marine Drive the Russian winter is closing in. The Symphony Orchestra of India…
Only adults struggle with The Magic Flute. Kids get it
Spoiler alert: it’s all a dream. At least, I think that’s what we’re meant to take away from the business…
It’s Christmas. You don’t want Götterdämmerung. You want a waltz-operetta
Grade: A– 1898: two Parisiennes and a housemaid secretly invite each other’s partners to the Paris Opera ball and… c’mon,…
As a symphonist, Mieczyslaw Weinberg was a master: Weinberg Weekend reviewed
It’s a strange compliment to pay a composer — that the most profound impression their music makes is of an…
This Boccanegra is not what you’d expect from UK’s best-funded opera company
The People are angry. In fact, they’re bloody furious. As the lights flash up on David Pountney’s production of Prokofiev’s…
Britten’s War Requiem almost sounded like a masterpiece – but it’s isn’t, is it?
‘What passing-bells for these who die as cattle?’ We’ve heard a lot, lately, of the knell that tolls through the…
‘Darmstadt taught me how to compose’: Ennio Morricone interviewed
Ennio Morricone’s staff wish it to be known that he does not write soundtracks. ‘Maestro Morricone writes “Film Music” NOT…
Thrilling, heartbreaking music drama – you need to see it: ENO’s Porgy and Bess reviewed
Gershwin’s Porgy and Bess springs to life fully formed, and pulls you in before a word has been sung. A…
I genuinely liked Siegfried – which almost never happens: Royal Opera’s Ring cycle reviewed
‘On Brünnhilde’s rock I drew the breath that called your name; so swift was my journey here.’ It’s Act Two…
Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed
A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…
Tales of UFOs and mysterious big cats come as standard in Cannock Chase
Cannock Chase is the long, low range of hills that’s visible to your right as you drive north up the…
The gentle side of Bruckner
The lady behind me on Kensington Gore clearly felt that she owed her friend an apology: ‘It’s Bruckner. I don’t…
Operetta is serious business in Bad Ischl – and seriously glorious
It’s the lederhosen that grabs you first. Two gents were walking down the street ahead of us in full Alpine…
An exalted experience even without a convincing central character: Siegfried in Edinburgh reviewed
There’s one big problem with Wagner’s Siegfried, and the clue’s in the name. None of Wagner’s mature works hangs so…
Most Popular
- Read
- Read
Latest
Cartoons
