Richard Bratby

The sound of no hands clapping

16 September 2017 9:00 am

‘We’re going to live for ever!’ declares Robert Powell as Gustav Mahler at the end of Ken Russell’s 1974 biopic.…

Viennese whirl

9 September 2017 9:00 am

‘First performance: Vienna, October 3, 1880’ declares the programme for Opera della Luna’s new production of Johann Strauss’s The Queen’s…

Twin peaks

26 August 2017 9:00 am

Schoenberg began Gurrelieder in 1900, but he didn’t hear it until 1913. By then, he’d moved on, and he ostentatiously…

Wilson’s sparkle and snap

19 August 2017 9:00 am

Back in the period-instrument wars of the 1980s and ’90s, when the forces of historically informed performance smashed out of…

Andrew Shore, Alex Otterburn, Allison Cook and Susan Bullock (left to right) in Edinburgh Festival’s Greek

Classy and classic

12 August 2017 9:00 am

The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of…

Carry on camping: English Touring Opera’s ‘La Calisto’

High and low

22 October 2016 9:00 am

‘Besides feeble writing, there is a mixture of tragic-comedy and buffoonery in it, which Apostolo Zeno and Metastasio had banished…

This new opera had the audience in tears

21 May 2016 9:00 am

‘So you’re going to see the gay sex opera?’ exclaimed my friend, open-mouthed. People certainly seem to have had some…

Scottish Opera could have a hit on its hands with this new Mikado

14 May 2016 9:00 am

You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…

The greatest British opera after Dido and Grimes? Vaughan Williams’s Riders to the Sea

2 April 2016 9:00 am

In a remote fishing village a lone figure confronts an unexplained death, standing tormented but unbroken against fate, the community…

WNO reminds us Figaro's a comedy – which is no bad thing

5 March 2016 9:00 am

Near the end of Elena Langer’s new opera Figaro Gets a Divorce, as the Almaviva household — now emigrés in…

World-weary rather than carefree: Peter Coleman-Wright as Papageno

Life-enhancing achievement: ENO's Magic Flute reviewed

13 February 2016 9:00 am

Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…

Conductor and orchestra played as if in love: Royal Opera’s Eugene Onegin reviewed

9 January 2016 9:00 am

It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…

A devastating Jenufa - if you could hear it

5 December 2015 9:00 am

About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…

Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart

22 August 2015 9:00 am

Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…