Richard Bratby

Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed

18 January 2020 9:00 am

In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…

Beer, sweat and jockstraps: the real history of the CBSO

21 December 2019 9:00 am

In childhood, the theme tune to The Box of Delights was the sound of Christmas. The melody was ‘The First…

Don’t tell me model railways aren’t art. My little engine is a thing of spirit and beauty

14 December 2019 9:00 am

It’s a summer day at Llangenydd station, and the afternoon train is already late, not that anyone seems to mind.…

Sadistic and repellent and thrilling: Mascagni’s Iris reviewed

7 December 2019 9:00 am

If you’ve ever felt that poor Madama Butterfly had a bit of a raw deal, then you really, really don’t…

Meet the unrivalled Sun King of early music, William Christie

23 November 2019 9:00 am

It’s morning in the garden of William Christie, and he’s talking about home improvements. ‘I planted three pines up there…

Ravishing and poignant: ENO’s Orphée reviewed

23 November 2019 9:00 am

Billy Wilder, asked for his opinion of Andrew Lloyd Webber’s musical version of his movie Sunset Boulevard, famously replied: ‘Those…

Why are Haydn’s operas so lousy? La fedelta premiata reviewed

16 November 2019 9:00 am

There’s a book about musicals that every opera lover should read. Not Since Carrie by Ken Mandelbaum is a history…

Malcolm Arnold was a traumatised wreck of a man at his death but his music was joyous!

19 October 2019 9:00 am

Never meet your heroes, they say. But if you grew up with classical music in the 1980s, there was fat…

More misogynistic than the original: ENO’s Orpheus in the Underworld reviewed

12 October 2019 9:00 am

It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…

Simon Rattle’s Messiaen is improving with age

21 September 2019 9:00 am

Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound…

Needed a shot of Stolichnaya: The Tchaikovsky Project reviewed

31 August 2019 9:00 am

Grade: B+ I’m not sure about ‘Projects’. Aren’t those what ageing rockers produce, in a haze of sedatives, when their…

Why this première felt important: James MacMillan’s Fifth Symphony reviewed

24 August 2019 9:00 am

All symphonies were sacred symphonies, once. Haydn began each day’s composition with a prayer, and ended every score with the…

Bracing and provocative – but would Wagner have approved? Arcola’s Rheingold reviewed

10 August 2019 9:00 am

When it comes to the opening of Wagner’s Das Rheingold, Mark Twain probably put it as well as anyone: ‘Out…

Clare Presland as Susanna in Il segreto di Susanna at Opera Holland Park Image: © Ali Wright

It’s not fair – I liked Il segreto di Susanna before it was cool: OHP’s double bill reviewed

3 August 2019 9:00 am

Should a secret pleasure ever be shared? Spoiler alert: Susanna’s secret, unknown to her husband Gil, is that she smokes.…

An overcooked blowout: Glyndebourne’s Die Zauberflöte reviewed

27 July 2019 9:00 am

Think back to when you were 12, and the sensation of re-opening your favourite book. (This is The Spectator; I’m…

A sonic masterclass: the Silesian String Quartet at Wigmore Hall reviewed

20 July 2019 9:00 am

Of all the daft notions about the classical music business, the daftest is that it’s a business at all. Seriously:…

Can an Offenbach production be too silly? Garsington’s Fantasio reviewed

22 June 2019 9:00 am

The tears of a clown have often fallen on fertile operatic ground. Think of Rigoletto and I Pagliacci; or The…

Easily the best thing I’ve seen at the Grange Festival: Falstaff reviewed

15 June 2019 9:00 am

‘Tutto nel mondo e burla’ sings the company at the end of Verdi’s Falstaff — ‘All the world’s a joke’…

The miracle of Longborough – the company that broke the mould for summer opera

8 June 2019 9:00 am

At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink…

The ideal summer opera: Garsington’s The Bartered Bride reviewed

8 June 2019 9:00 am

So it’s the start of the summer opera season at Wormsley and we’re sitting there in evening dress in the…

The composer sir Michael Tippett. Credit: Erich Auerbach/ Stringer

This concert proves it is time to take Michael Tippett seriously

11 May 2019 9:00 am

In Oliver Soden’s new biography of Michael Tippett, he describes how Tippett wanted to open his Fourth Symphony with the…

Richard Ayres' The Garden at the Queen Elizabeth Hall. Image: © Mark Allan

Hearing Gilbert & Sullivan on period instruments was a revelation

27 April 2019 9:00 am

‘I consider that music is, by its very nature, essentially powerless to express anything at all,’ wrote Stravinsky in one…

Why did Parry’s Judith vanish?

13 April 2019 9:00 am

‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…

Aurora Orchestra’s Brexit concert nearly turned me into a Leaver

6 April 2019 9:00 am

Back when the UK was assumed to be leaving the European Union on 29 March, the Aurora Orchestra was invited…

Jonas Kaufmann and Anna Netrebko in Royal Opera's La forza del destino. Photo: Bill Cooper

The most glorious singing anyone born after 1970 will ever have heard: La forza del destino reviewed

30 March 2019 9:00 am

To stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The…