Exhibitions
Embarrassment of riches: South Asian Miniature Painting, at MK Gallery, reviewed
In 1633, British merchants travelling east were issued with a royal command from Charles I: ‘As the king has considered…
‘You cannot begin by calling me France’s most famous living artist!’: Sophie Calle interviewed
‘You cannot begin by calling me France’s most famous living artist!’ Thus Sophie Calle objected to the first line of…
The importance of lesbianism to British modernism: Double Weave, at Ditchling Museum, reviewed
The name of Ditchling used to be synonymous with Eric Gill, but since he was outed as an abuser of…
Why did this brilliant Irish artist fall off the radar?
Sir John Lavery has always had a place in Irish affections. His depiction of his wife, Hazel, as the mythical…
How Philip Guston became a hero to a new generation of figurative painters
Why do painters represent things? There was a time when the answers seemed obvious. Art glorified power, earthly and divine,…
Champion of the female sex
‘She is a princess endowed with all the virtues of sex; long experience has taught her how to govern these…
Comic relief
‘Do women have to be naked to get into the Met Museum?’ More than 30 years after the Guerrilla Girls…
Forgotten lives
What happens when a museum outlives the worldview of its founder? For publicly funded museums with collections amassed during the…
Doors of perception
Sliding doors may change your life, but there’s no mystery in their transparency. A hinged wooden door is another matter;…
‘Moons are in!’
‘My daughter’s moving to Saffron Walden, away from all this,’ said the railway man at Stratford station, gesturing at the…
Master of all trades
The busiest show in Edinburgh must be Grayson Perry: Smash Hits which, a month into its run, still has people…
Are we human?
A little-known fact about the Fairlight Computer Musical Instrument, the first sampling synthesiser, introduced in 1979, is that it incorporated…
Riding high
In March 1913 two horse painters met at the Lyceum Club to discuss the establishment of a Society of Animal…
Fibre optics
Trophy office blocks designed as landmarks are not welcoming to humans; their glass and steel reception areas feel more suited…
We’re off to see the wizard
At the Paris International Exhibition of 1867, Mark Twain was mesmerised by a life-sized silver swan with ‘a living grace…
Catching the zeitgeist
‘Photography has arrived at a point where it is capable of liberating painting from all literature, from the anecdote, and…
The great pretenders
In 1998 curators at the Courtauld Institute received an anonymous phone call informing them that 11 drawings in their collection…
The playful portraitist
In front of the banner advertising the RA Summer Exhibition, the swagger statue of Sir Joshua Reynolds (1723-92) by Alfred…
Breaking the rules
Rules in art exist to be broken but it takes chutzpah, which could explain why so many rule-breakers in modern…
Cutting edge
There’s a nice irony to the title Salon Paintings when the salon in question is a barbershop, an irony that…
One hundred years of humiliation
By the 1800s, the mechanical clock had become a status symbol for wealthy Chinese. The first arrived with Jesuit missionaries…
Shatterer of glass ceilings
Reviewing the Prado’s joint exhibition of Sofonisba Anguissola and Lavinia Fontana in the Art Newspaper three years ago, Brian Allen…
Station to station
Exiting Peckham Rye station, you’re not aware of it, but standing on the platform you can see a mansard roof…
Top gear
Normally, when you look at portraits you feel obliged to focus on the sitter. But quite often you’re thinking, ‘Ooh,…
Ladies first
In the rush to right the historical gender balance, galleries have been corralling neglected women artists into group exhibitions: the…
