Exhibitions
Renaissance radical
‘Camp,’ wrote Susan Sontag, ‘is the paintings of Carlo Crivelli, with their real jewels and trompe-l’oeil insects and cracks in…
Mourning glory
The room is immersed in semi-darkness. Light filters down from above, glistening on polished marble as if it were flesh.…
Looking as haggling
Two markers: ‘Cottages at Auvers-sur-Oise’ (c.1873) is a sweet especial rural scene of faintly slovenly thatched cottages with, at its…
Gothic horror meets Acorn Antiques
Louise Bourgeois was 62 and recently widowed when she first used soft materials in her installation ‘The Destruction of the…
Face time
In September 1889, Vincent van Gogh sent his brother Theo a new self-portrait from the mental hospital at Saint-Rémy-de-Provence. ‘You…
Architectural upskirting
Paintings of houses go back a long way in British art: the earliest landscape in Tate Britain is a late…
Everywhere and nowhere
The second most interesting thing about this digital exhibition is that it is not for art critics like me. I…
An artist of the floating world
In 1950 the 21-year-old painter Helen Frankenthaler, fresh out of college, went to an exhibition at New York’s Betty Parson’s…
Eternity in an hour
Growing up on a farm outside Lima, I was aware that indigenous Peruvians did not understand time in the same…
Foreign parts
There are, perhaps, two types of exhibition visitor. Those who read the texts on the walls and those who don’t.…
Wild at heart
On 13 July 1815, John Constable wrote to his fiancée, Maria Bicknell, about this and that. Interspersed with a discussion…
Small but perfectly formed
Haydn is looking well — in fact, he’s positively glowing. The dignified pose; the modest, intelligent smile: it’s only when…
Painting everywhere
There’s a faint scent of desperation wafting through the Frieze tent this year. Pre–pandemic, this was where you came to…
A licence for licentiousness
In the winter of 1861, visitors to the Louvre might have seen a young artist painstakingly copying one of the…
Hals apoppin’
Since art auctions were invented, they have served to hype artists’ prices. It can happen during an artist’s lifetime —…
Flower power
Elizabeth Blackadder, who died last month at the age of 89, was probably the most distinctive botanical artist of our…
The yumminess of paint
‘Painting has always been dead,’ Willem de Kooning once mused. ‘But I was never worried about it.’ The exhibition Mixing…
Doyenne of applied arts
Great Swiss artists, like famous Belgians, might seem to be an amusingly underpopulated category. Actually, as with celebrated Flemings and…
Fit for a king
What is the National Gallery playing at? Why, in this summer of stop-start tropical storms, is the NG making visitors…
Heads, shoulders, knees and toes
We need to talk about Eric. In Jennifer Packer’s portrait of her friend and fellow artist, Eric N. Mack sits…
Wildness and wit
Heads turn, strangers gawp, matrons tut or look in envy. A man doffs his bowler hat knowing when he is…
Grandeur and subtlety
The Victorian dictum ‘every picture tells a story’ is true of Paula Rego’s works, but it’s only part of the…
One of life’s irregulars
Artists’ estates can be a curse on a family. The painter dies, leaving the house stuffed with unsold canvases. What…
Drawing breath
Amid the greatly exaggerated reports of the death of painting issued and reissued over the course of the past century,…
When two become one
‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…
