Exhibitions
The mesmerising Olympic posters designed by the likes of Warhol and Whiteread
You could be forgiven for assuming that the citizens of Paris weren’t exactly bursting with joy at the prospect of…
The most original sea painter since Turner? Lowry
In 1958 an elderly gentleman staying at the Castle Hotel in Berwick-upon-Tweed gave the receptionist a doodle he had made…
How Miss La La captured Degas’s imagination
‘Can you come Saturday morning to my studio, 19 bis rue Fontaine?’ Degas wrote to Edmond de Goncourt in 1879.…
Breathtaking: Mary Cassatt at Work, at the Philadelphia Museum of Art, reviewed
Work – in the sense of toil – is about the last thing a 19th-century painter wished to be associated…
Is there still life in British still life?
‘The tyrannical rule of nature morte is, at last, over,’ announced Paul Nash in the Listener in 1931. ‘Apples have…
Beguiling: Yinka Shonibare, at the Serpentine Galleries, reviewed
More than seven centuries ago, the medieval cartographer Richard of Haldingham created Hereford Cathedral’s Mappa Mundi; I say ‘created’ because…
Fascinating insight into the mind of Michelangelo
You’re pushing 60 and an important patron asks you to repeat an artistic feat you accomplished in your thirties. There’s…
The latest Venice Biennale is ideologically and aesthetically bankrupt
Last week’s opening of the 60th edition of the Venice Biennale marks a watershed for the art world. In much…
How flabby our ideas of draughtsmanship have become
The term drawing is a broad umbrella, so in an exhibition of 120 works it helps to outline some distinctions.…
Impressionism is 150 years old – this is the anniversary show to see
The time that elapsed between the fall of the Paris Commune and the opening of the first proper impressionist exhibition…
