Exhibitions
‘Be original or die!’
Hermione Eyre on Yevonde, the pioneering 1930s photographer whose colour portraits evoke a vanishing world
Shatterer of glass ceilings
Reviewing the Prado’s joint exhibition of Sofonisba Anguissola and Lavinia Fontana in the Art Newspaper three years ago, Brian Allen…
Bring up the bodies
Margaret Mitchell on the ethics of museums of anatomical specimens
Top gear
Normally, when you look at portraits you feel obliged to focus on the sitter. But quite often you’re thinking, ‘Ooh,…
Ladies first
In the rush to right the historical gender balance, galleries have been corralling neglected women artists into group exhibitions: the…
‘Painting was always waiting for me’
Claudia Massie talks to the botanical painter Emma Tennant about grief, finding success later in life, and her love of twigs
Away with all the flesh
Do we need another Lucian Freud exhibition? After years of exposure to his paintings of naked bodies posed like casualties…
A world apart
William Kentridge’s work has a way of sticking in the mind. I can remember all my brief encounters with it,…
Palpable and palpatable
Art is a fundamentally childish activity: painters dream up images and sculptors play with stuff. It was while playing with…
A frantic collector of views
‘It seems to me that I have to choose between 2 extremes of affection for nature… English, or Southern… The…
When Picasso met Lee Miller
During the liberation of Paris in August 1944, the photographer Lee Miller made her way to Picasso’s studio on rue…
Factory setting
When Maurice Broomfield left school at the age of 15, he took a job at the Rolls-Royce factory, bending copper…
Emancipation man
Winslow Homer may be too all-American for British tastes but a forthcoming retrospective could change all that, says Laura Gascoigne
We get the picture
Philip Guston is hard to dislike. The most damning critique levied against the canonical mid-century American painter is that he…
Space oddities
‘These artists are offering other ways of seeing,’ says Ekow Eshun, curator of In the Black Fantastic, and from the…
A sharp instant in nature
‘I like the way he puts on paint,’ Milton Avery said about Matisse in 1953, but that was as much…
The art of window-peeping
Themed exhibitions pegged to particular pictures in museum collections tend to be more interesting to the museum’s curators than to…
The dying of the light
Cornelia Parker wasn’t born with a silver spoon in her mouth, but when she was growing up her German godparents…
Knives out
Daisy Dunn on the art of surgery
Northern exposure
When Nikolaus Pevsner dedicated his 1955 Reith Lectures to ‘The Englishness of English Art’, he left out the Scots. The…
Doors of perception
Describing the Venice Biennale, like pinning down the city itself, is a practical impossibility. There is just too much of…
Old cud and fleshy frumps
Artist, actor, social justice warrior, serial killer. Laura Gascoigne on the many faces of Walter Sickert
Have we got news for you
In The Spectator office’s toilets there are framed front covers of the events that didn’t happen: Corbyn beats Boris; ‘Here’s…
The lonely path to herohood
Instead of wasting money, like other museums, on extravagant architectural statements, the Foundling Museum in Brunswick Square has sensibly chosen…
Thrills, frills and folderols
A clever, original exhibition at the Wallace Collection has Laura Freeman twirling her way through the West End
