Exhibitions
The polarising poet, sculptor and ‘avant-gardener’ who maintained a private militia
Not many artists engage in the maintenance of a private militia, and it seems fair to assume that those who…
Was Sir John Soane one of the first modernists?
Sir John Soane’s story is a good one. Born in 1753 to a bricklayer, at 15 he was apprenticed to…
Cartier used to be a Timpson’s for the rich
In the fall of, I suppose, 1962, my friend Jimmy Davison and I, window shopping on Fifth Avenue, bumped into…
Wonderfully intimate: The Drawings of Victor Hugo, at the RA, reviewed
You feel so close to Victor Hugo in this exhibition. It’s as if you are at his elbow while he…
If ‘wokeness’ is over, can someone please tell the Fitzwilliam Museum?
Optimists believe that the tide of ‘wokeness’ is now ebbing. If so, the message has not yet reached Cambridge, whose…
Why was this fêted Mexican painter left out of the canon?
Think of a Mexican painting, and chances are you’ll conjure up an image of an eyebrow-knitted Frida Kahlo, or a…
The art of sexual innuendo
Paula Rego’s 2021 retrospective at Tate Britain demonstrated that, among art critics, ambiguity is still highly prized as a measure…
A blast: Leigh Bowery!, at Tate Modern, reviewed
Tate Modern’s latest exhibition is a bizarre proposition on so many levels. Its subject, the Australian designer, performer, provocateur and…
The greatest paintings are always full of important unimportant things
Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection, at the Courtauld, consists of a selection of 25 absorbing paintings…
The true birthplace of the Renaissance
The baby reaches out to touch his mother’s scarf: he studies her face intently, and she focuses entirely on him.…
An exhilarating, uneven survey of an outstandingly eccentric British surrealist
Ithell Colquhoun was always a bit of a mystery surrealist. Her greatest hit is the unsettling, dream-like ‘Scylla’ (1938), a…
Real artists have nothing to fear from AI
Christie’s is making digital-art history again – or at least trying to. Between 20 February and 5 March, it is…
In defence of decommissioning
There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically…
The art of war
On his deathbed, the Austrian writer Karl Kraus remarked of the Japanese attack on Manchuria: ‘None of this would have…
Tarot isn’t very old or esoteric – but it does work
Among my many fake and useless skills, I’m a reasonably decent tarot reader. I can do one for you now…
Save our cathedrals!
My beloved 1967 Gibson Les Paul Goldtop guitar is now locked away until December at the earliest. For the past…
The rediscovery of the art of Simone de Beauvoir’s sister
An exhibition of the art of Hélène de Beauvoir (1910-2001), sister of the great Simone, opened in a private gallery…
Was Brazil the real birthplace of modernism?
A paradox of art history: to understand the artists of the past, it helps to study how, and where, they…
The architectural provocations of I.M. Pei
When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was…
A dreamy, if overly ambitious show: Silk Roads, at the British Museum, reviewed
Towards the end of the British Museum’s Silk Roads show, there is a selection of treasures found in England. Among…
Tirzah Garwood just isn’t as good as her husband Eric Ravilious
Tirzah Garwood, wife of the more famous Eric Ravilious, is having a well-deserved moment in the sun, benefiting from this…






























