Exhibitions
An exhilarating, uneven survey of an outstandingly eccentric British surrealist
Ithell Colquhoun was always a bit of a mystery surrealist. Her greatest hit is the unsettling, dream-like ‘Scylla’ (1938), a…
Real artists have nothing to fear from AI
Christie’s is making digital-art history again – or at least trying to. Between 20 February and 5 March, it is…
In defence of decommissioning
There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically…
The art of war
On his deathbed, the Austrian writer Karl Kraus remarked of the Japanese attack on Manchuria: ‘None of this would have…
Tarot isn’t very old or esoteric – but it does work
Among my many fake and useless skills, I’m a reasonably decent tarot reader. I can do one for you now…
Save our cathedrals!
My beloved 1967 Gibson Les Paul Goldtop guitar is now locked away until December at the earliest. For the past…
The rediscovery of the art of Simone de Beauvoir’s sister
An exhibition of the art of Hélène de Beauvoir (1910-2001), sister of the great Simone, opened in a private gallery…
Was Brazil the real birthplace of modernism?
A paradox of art history: to understand the artists of the past, it helps to study how, and where, they…
The brilliance of Cicely Mary Barker
When Cicely Mary Barker’s Flower Fairies of the Spring was published in 1923, a post-first world war mass wishful belief…
The architectural provocations of I.M. Pei
When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was…
A dreamy, if overly ambitious show: Silk Roads, at the British Museum, reviewed
Towards the end of the British Museum’s Silk Roads show, there is a selection of treasures found in England. Among…
How French absolutism powered a techno-progressive revolution
The Enlightenment is back. Despite the best efforts of the past decade of handwringing about cultural imperialism and wailing over…
Tirzah Garwood just isn’t as good as her husband Eric Ravilious
Tirzah Garwood, wife of the more famous Eric Ravilious, is having a well-deserved moment in the sun, benefiting from this…
Warhol, Rauschenberg, Johns and Tinguely all started out as window dressers
Christmas, and in every city already crowds congregate around the festive department store displays in defiance of the apparent disappearance…
William Morris’s debt to Islam
When William Morris was born in Walthamstow, in 1834, it was little more than a clump of marshland at the…
Sad but beautiful exhibition of Afghanistan’s war rugs
Decades after its inclusion in the Hippie Trail, Afghanistan is again open to tourism, according to the Taliban’s spokesman Zabihullah…
How a single year in Florence changed art forever
The story goes that one day early in the 16th century Leonardo da Vinci was strolling through Florence with a…
At Japan House humanity has arrived at the perfect future: food for ogling, not eating
There is a popular Japanese television show that features a segment called ‘Candy Or Not Candy?’. Contestants are presented with…
The triumph of surrealism
When Max Ernst was asked by an American artist to define surrealism at a New York gathering of exiles in…
Fog, tea and full English breakfasts: Monet and London, at the Courtauld, reviewed
For the maids on the top floors of the Savoy, everything was in turmoil. The 6th had been commandeered by…
What has become of the Wellcome Collection?
In 2022 the Wellcome Collection caused a stir by closing its Medicine Man exhibition on the grounds that it was…
The art inspired by the 1924 Paris Olympics was a very mixed bag
George Orwell took a dim view of competitive sport; he found the idea that ‘running, jumping and kicking a ball…
Inside the mind of Vincent Van Gogh
Van Gogh only got one major review in his career, and he was mystified by it. When the critic Albert…
How Michael Craig-Martin changed a glass of water into a full-grown oak tree
‘Of all the things I’ve drawn,’ Michael Craig-Martin reflects, ‘to me chairs are one of the most interesting.’ We are…
Why has Leonora Carrington still not had a big exhibition?
‘It had nothing to endow it with the title of studio at all,’ was Edward James’s first impression of Leonora…
