Benjamin Britten
ENO’s Peter Grimes shows a major international company operating at full artistic power
In David Alden’s production of Peter Grimes, the mob assembles before the music has even started – silhouetted at the…
‘That little venal borough’: a poet’s jaundiced view of Aldeburgh
‘To talk about Crabbe is to talk about England,’ E.M. Forster declared in a radio broadcast in May 1941, but…
The pacifists of the 1930s deserve greater understanding
As I’ve occasionally come to think is the case with The Spectator, this book is perhaps best begun at the…
Community music-making is the jewel in the British crown
Community music-making is the unifying jewel in the British crown, says James MacMillan
Susan Hill: The brilliance of the NHS cancer service
Exactly 50 years ago I drove, for the first visit of many, across country to Aldeburgh in Suffolk, following the…
Deft, elegant and genuinely chilling: Garsington’s Turn of the Screw reviewed
Think of the children in opera. Not knowing sopranos and mezzos, pigtailed and pinafored or tightly trousered-up to look child-like,…
The mosque where it’s the men who make the tea
On returning from a brief trip to Istanbul, where inside the mosques women are still very much kept to one…
Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed
A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…
Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed
‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…
Whatever happened to Alice?
In 1987, the art of opera changed decisively. John Adams’s opera Nixon in China was so unlike the usual run…
Grimes triumphant
‘Peter Grimes!’ Ranked high above us in the Usher Hall — a mob smelling blood, hot for the kill —…
Risk assessment
Someone at the Buxton International Festival had a wry smile on their face when programming this year’s trio of operas.…
Sex, lies and El Sistema
An explosive new book uncovers abuse at the heart of one of classical music’s most revered institutions. Damian Thompson investigates
Britten’s worldwide reputation is enhanced in Lyon
One of the proudest boasts to come from Britten HQ in Aldeburgh during the composer’s anniversary last year was that…
Why is Tippett's King Priam so difficult to love?
The difference between lovable, likable and admirable is perhaps more significant in the operatic world than in other artistic spheres…
A century before Miley Cyrus, it was male performers — like Nijinsky — who bared all
While the airwaves resonate with celebrations of Britten’s birth, I cannot help thinking that what was happening in Paris at…
Alexander Chancellor: A slice of Italy in Milton Keynes
Back home from a week in Italy, I almost feel that I haven’t left. For I go almost at once…
What Jackie did after JFK was assassinated
A surfeit of anniversaries this week reminded us that on the day of President Kennedy’s assassination, C.S. Lewis (born 1898)…
If 'Greek' is playing within 200 miles of where you live — watch it
This week chanced to give me a fascinating study in contrasts and comparisons: Mark-Anthony Turnage’s Greek at the Linbury Studio,…
