Michael Tanner

Small wonders

23 September 2017 9:00 am

It has been a reasonably good week for peripatetic opera-loving female-underwear fetishists. In La bohème at Covent Garden Musetta slipped…

Maria Callas as Anna Bolena

Ave, Maria

16 September 2017 9:00 am

Anyone who thinks that an artist’s life is irrelevant to their artistic achievement, and for that matter anyone who thinks…

DIY Bohème

16 September 2017 9:00 am

The Royal Opera’s one production that, it has always confidently been claimed, need never be replaced has been replaced. John…

Bowled over by Bruckner

9 September 2017 9:00 am

The two Proms concerts given on consecutive evenings by the Royal Concertgebouw Orchestra were well planned: a short opening work,…

Power of two: Martha Argerich and Daniel Barenboim play a duet at this year’s Lucerne Festival

Mistaken identity

26 August 2017 9:00 am

This year’s Lucerne Festival is given its identity by having as its theme ‘Identity’. Since the word doesn’t mean anything,…

The maestro could hear if a single player was doing something wrong, even in the most noisy tutti

The morality of conducting

5 August 2017 9:00 am

Now he is the greatest figure for me, in the world. [Toscanini is] the last proud, noble, unbending representative (with…

The conducting is as potent as Furtwängler’s: Opera North’s Ring reviewed

4 June 2016 9:00 am

When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…

Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed

28 May 2016 9:00 am

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…

‘His operas offer a straightforward experience’

Verdi’s works are more entertainment than art

21 May 2016 9:00 am

Verdi has a peculiar if not unique place in the pantheon of great composers. If you love classical music at…

Royal Opera’s Tannhäuser is one of the ugliest stagings I have set eyes on

7 May 2016 9:00 am

Cursed, or perhaps blessed, with almost no visual memory at all, I had almost completely forgotten what the Royal Opera’s…

Shattering - despite the lack of staging: Czech Phil’s Jenufa reviewed

30 April 2016 9:00 am

Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the…

Drowning in detail: Vicki Mortimer’s sets for Royal Opera’s production of ‘Lucia di Lammermoor’

Tame and drowning in detail: Royal Opera’s Lucia di Lammermoor reviewed

16 April 2016 9:00 am

Lucia di Lammermoor is one of the two or three Donizetti operas that have never fallen out of the repertoire,…

An unqualified triumph: Boris Godunov at the Royal Opera reviewed

19 March 2016 9:00 am

The Royal Opera has bitten the bullet so far as Musorgsky’s Boris Godunov goes, and opted to stage the original…

Norma at the ENO (Photo: Alastair Muir)

Long live ENO!

27 February 2016 9:00 am

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…

Unlikely to win converts: Royal Opera's L'Étoile reviewed

6 February 2016 9:00 am

It’s widely agreed that the most difficult form of opera to bring off is operetta, whether of the Austro-German or…

Annemarie Kremer as Maddelena. Photo Credit: Robert Workman

Miserable libretto, music to match: Andrea Chénier reviewed

30 January 2016 9:00 am

Opera North continues to be the most reliable, inspiring, resourceful and enterprising opera company in the United Kingdom, and all…

Spare us this unanimous chorus of praise for Pierre Boulez

16 January 2016 9:00 am

Pierre Boulez, who died last week at the age of 90, would have been the last person, one hopes, to…

Powerful and upsetting: Pelléas et Mélisande at the Barbican reviewed

16 January 2016 9:00 am

There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…

Royal Opera’s Cavalleria rusticana isn’t nearly vulgar enough

12 December 2015 9:00 am

How often do you get a chance to see two operas by Leoncavallo in the same city in the same…

ENO’s production of ‘The Force of Destiny’ has a large, fidgety set and a projection of a vast horse’s head

That Force of Destiny isn’t a great evening is the fault of Verdi not ENO

14 November 2015 9:00 am

The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…

Ariadne shows the operetta composer Richard Strauss could have been

17 October 2015 8:00 am

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Please let's have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Margit Carstensen as Petra, downing gin and grovelling on her deep-pile carpet, in ‘The Bitter Tears of Petra von Kant’

Rainer Werner Fassbinder’s films verge on the incomprehensible — but that doesn’t stop him being a genius

3 October 2015 8:00 am

London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five…

As good a treatment of a Bellini opera as we are likely to see: WNO's I puritani reviewed

19 September 2015 8:00 am

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

As with so many Strauss operas, Daphne's one redeeming feature is its end

29 August 2015 9:00 am

Richard Strauss’s Daphne is one of the operas he wrote during the excruciatingly long Indian summer of his composing life,…