Michael Tanner

An unmitigated triumph: Salome at Opera North reviewed

28 April 2018 9:00 am

Salome is my favourite opera by Richard Strauss, the only one where there is no danger, at any point, of…

Verdi would have been disarmed: Anna Netrebko as Lady Macbeth

At last, a great achievement at the Royal Opera: Macbeth reviewed

31 March 2018 9:00 am

At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but…

ENO’s La traviata was so comprehensive a flop that it is painful to go into detail

24 March 2018 9:00 am

Handel’s Rinaldo has not been highly regarded even by his most ardent admirers. I have never understood why — even…

A short history of French musical decadence

10 March 2018 9:00 am

My two attempts to see Poulenc’s Dialogues des Carmélites at the Guildhall School were frustrated by the weather. Forced back…

A step too far: the new production of Carmen at the Royal Opera House

A colossal bore: Royal Opera’s Carmen reviewed

17 February 2018 9:00 am

The new production of Bizet’s Carmen at the Royal Opera has received mixed reviews. It shouldn’t have done. They should…

Celebrating Carter was one of the most energising musical occasions in years

3 February 2018 9:00 am

Das Rheingold at the Royal Festival Hall was, all told, a disappointment, but it might not have been had there…

Royal Opera’s Tosca is a sloppy affair

27 January 2018 9:00 am

One of the Royal Opera’s greatest virtues is the care it takes with its revivals, even those that are virtually…

A recording that makes you realise Les Troyens is one of the greatest operatic masterpieces

16 December 2017 9:00 am

Grade: A-   Berlioz’s Les Troyens, one of the greatest operatic masterpieces, manages to be neglected even if it is…

Musically superb but there isn’t a moment where one feels for anyone: Semiramide reviewed

25 November 2017 9:00 am

The late arch-Rossinian Philip Gossett regarded Semiramide as a neoclassical work, vaguely and alarmingly suggesting to me a musical equivalent…

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Small wonders

23 September 2017 9:00 am

It has been a reasonably good week for peripatetic opera-loving female-underwear fetishists. In La bohème at Covent Garden Musetta slipped…

Maria Callas as Anna Bolena

Ave, Maria

16 September 2017 9:00 am

Anyone who thinks that an artist’s life is irrelevant to their artistic achievement, and for that matter anyone who thinks…

DIY Bohème

16 September 2017 9:00 am

The Royal Opera’s one production that, it has always confidently been claimed, need never be replaced has been replaced. John…

Bowled over by Bruckner

9 September 2017 9:00 am

The two Proms concerts given on consecutive evenings by the Royal Concertgebouw Orchestra were well planned: a short opening work,…

Power of two: Martha Argerich and Daniel Barenboim play a duet at this year’s Lucerne Festival

Mistaken identity

26 August 2017 9:00 am

This year’s Lucerne Festival is given its identity by having as its theme ‘Identity’. Since the word doesn’t mean anything,…

The maestro could hear if a single player was doing something wrong, even in the most noisy tutti

The morality of conducting

5 August 2017 9:00 am

Now he is the greatest figure for me, in the world. [Toscanini is] the last proud, noble, unbending representative (with…

The conducting is as potent as Furtwängler’s: Opera North’s Ring reviewed

4 June 2016 9:00 am

When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…

Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed

28 May 2016 9:00 am

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…

‘His operas offer a straightforward experience’

Verdi’s works are more entertainment than art

21 May 2016 9:00 am

Verdi has a peculiar if not unique place in the pantheon of great composers. If you love classical music at…

Royal Opera’s Tannhäuser is one of the ugliest stagings I have set eyes on

7 May 2016 9:00 am

Cursed, or perhaps blessed, with almost no visual memory at all, I had almost completely forgotten what the Royal Opera’s…

Shattering - despite the lack of staging: Czech Phil’s Jenufa reviewed

30 April 2016 9:00 am

Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the…

Drowning in detail: Vicki Mortimer’s sets for Royal Opera’s production of ‘Lucia di Lammermoor’

Tame and drowning in detail: Royal Opera’s Lucia di Lammermoor reviewed

16 April 2016 9:00 am

Lucia di Lammermoor is one of the two or three Donizetti operas that have never fallen out of the repertoire,…

An unqualified triumph: Boris Godunov at the Royal Opera reviewed

19 March 2016 9:00 am

The Royal Opera has bitten the bullet so far as Musorgsky’s Boris Godunov goes, and opted to stage the original…

Norma at the ENO (Photo: Alastair Muir)

Long live ENO!

27 February 2016 9:00 am

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…

Unlikely to win converts: Royal Opera's L'Étoile reviewed

6 February 2016 9:00 am

It’s widely agreed that the most difficult form of opera to bring off is operetta, whether of the Austro-German or…