Arts

Black mirror: ‘20:50’, 1987, by Richard Wilson at the Hayward Gallery

There’s almost nothing in this Hayward show – and that’s the point

29 September 2018 9:00 am

A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…

Angela Carter was a master of radio drama

29 September 2018 9:00 am

The writer Angela Carter (born in 1940) grew up listening to the wireless, her love of stories, magic and the…

Face value: Glenn Close as Joan Castleman in The Wife showing how much can be expressed with the tremor of an eyelid

Glenn Close rescues this clumsy new adaptation: The Wife reviewed

29 September 2018 9:00 am

The Wife is an adaptation of the Meg Wolitzer novel (2003) and stars Glenn Close. Her performance is better than…

Opera North’s Tosca will leave you quivering

29 September 2018 9:00 am

At the end of Act Two of Tosca there are some 30 bars of orchestral music — accompaniment to a…

In the pink: Luke MacGregor as Edward Cooper in Eyam at Shakespeare’s Globe

The Old Vic’s Sylvia may be the new Les Mis

29 September 2018 9:00 am

Sylvia, the Old Vic’s musical about the Pankhurst clan, has had a troubled nativity. Illness struck the cast during rehearsals.…

Forget the BBC – only Channel 5 does proper documentaries these days

29 September 2018 9:00 am

What a load of utter tripe Bodyguard (BBC1, Sundays) was. Admittedly, I came to it late having missed all the…

Bravura piss-taking from Les Ballets Trockadero de Monte Carlo

29 September 2018 9:00 am

‘Ballet is woman’ insisted George Balanchine, but ballet can also be a big man in a dress as any fan…

Some Brandenburg section leaders

29 September 2018 9:00 am

‘Celebrating 30 Years of Baroque’ is Paul Dyer’s theme of the 2019 Season of the Australian Brandenburg Orchestra; 30 years…

Fantastic beasts and where to find them: ‘Wild Woman with Unicorn’, 1500–10

A brief history of unicorns

22 September 2018 9:00 am

After the England football team beat Tunisia at this summer’s World Cup, they celebrated with a swimming-pool race on inflatable…

What a scorcher: bearing the brunt of Harold Pinter’s temper was one of life’s central experiences

The night I kissed Harold Pinter

22 September 2018 9:00 am

I think everyone was a little nervous of Harold. Including Harold, sometimes. He was affable, warm, generous, impulsive — and…

Sir Simon Rattle conducts the LSO at the Barbican

Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed

22 September 2018 9:00 am

A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…

Arinzé Kene is a performer of great charm and charisma led astray by bad advice and public money

Blacktivist rhetoric and impenetrable symbols: Misty reviewed

22 September 2018 9:00 am

Arinzé Kene’s play Misty is a collection of rap numbers and skits about a fare dodger, Lucas, from Hackney. Lucas…

A bloody miracle: ‘Apollo and Marsyas’, 1637, by Jusepe de Ribera

The Spanish artist who is more gruesome even than Caravaggio

22 September 2018 9:00 am

Last year my wife and I were wandering around the backstreets of Salamanca when we were confronted by a minor…

Letter signed by Wagner from an exhibition at the Saxon State and University Library in Dresden in 2013

As a writer, Richard Wagner was both sublime – and unreadable

22 September 2018 9:00 am

No one any longer denies the immense significance of Wagner’s musical-dramatic achievement, even if they find it repellent. But his…

‘Camo 15-Inch Howitzer’, 1916, by F.J. Mears

Authenticity over artistry: Brushes with War reviewed

22 September 2018 9:00 am

The first world war paintings of Paul Nash are so vivid and emotive that they have come to embody, as…

JR and Agnès Varda in Faces Places, a mesmerising meditation on lives lived

The invisible woman of French cinema: Faces Places reviewed

22 September 2018 9:00 am

Faces Places is a documentary directed by Agnès Varda in collaboration with JR, the famous Parisian photographer and muralist (although,…

Easy rider: Jodie Comer as Villanelle in Phoebe Waller-Bridge’s Killing Eve

Camp, preposterous and weirdly good fun: Killing Eve reviewed

22 September 2018 9:00 am

After the all-conquering success of Fleabag — her brilliant dark comedy about a smart but rudderless young woman in London…

Kate Morton

22 September 2018 9:00 am

She was born in a small town in South Australia, later grew up on Tamborine Mountain and, when aged barely…

‘The Miracle of St Mark Freeing a Slave’, 1548, by Tintoretto

Tintoretto unmasked

15 September 2018 9:00 am

Tintoretto was il Furioso. He was a lightning flash or a thunderbolt, a storm in La Serenissima of Renaissance Italy,…

The play’s the thing: concept art for The Last of Us™ , 2013–14, created by Naughty Dog

High culture or state-of-the-art murder simulators?: Videogames: Design/Play/Disrupt reviewed

15 September 2018 9:00 am

For the past few decades, admirers of video-games have every couple of years mounted a new attempt to persuade the…

‘Catholic music is often excruciating – I call it “Joan Baez meets Hildegard of Bingen in a 1970s cocktail lounge.”’ Baez: Pierre Andrieu /AFP/Getty Images Bach: Rischgitz/Getty Images

J.S. Bach v. Joan Baez

15 September 2018 9:00 am

I was at a funeral the other day at which the music was so inspiring that I struggled to feel…

Teen spirit: Karla Crome in Dance Nation at the Almeida Theatre

Its producers should tape a cyanide pill to the programme: The Humans reviewed

15 September 2018 9:00 am

Hampstead’s boss Ed Hall was so impressed by Stephen Karam’s play The Humans that he wanted to direct it himself.…

It’s trash of course, but high-octane, watchable trash: John Krasinski and Wendell Pierce in Tom Clancy’s Jack Ryan (Amazon Studios)

Gloriously macho: Tom Clancy’s Jack Ryan reviewed

15 September 2018 9:00 am

This week’s guilty pleasure is Tom Clancy’s Jack Ryan (Amazon Prime). It’s trash, of course, but very well done, high-octane,…

Chorus of approval: the ENO chorus gives it the full Broadway, triple threats to a man, in Benjamin Britten’s Paul Bunyan (Photo: Genevieve Girling)

Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed

15 September 2018 9:00 am

‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…

Awkwafina, as Peik Lin Goh, brings some much-needed liveliness to Crazy Rich Asians

Just an average romcom – or am I being too old-trouty?: Crazy Rich Asians reviewed

15 September 2018 9:00 am

The cast and producer of Crazy Rich Asians were present at the screening I attended and said a few words…