Arts
The women who invented collage – long before Picasso and co.
The art-history books will tell you that sometime around 1912, Picasso invented collage, or, actually, perhaps it was Braque. What…
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
Kanye wipes the floor with David Letterman
My plan to cut the BBC out of my life entirely is working well. Apart from the occasional forgivable lapse…
No masterpieces but there are beautiful touches: Félix Vallotton at the RA reviewed
Félix Vallotton (1865–1925) was a member of the Nabis (the Prophets), a problematically loose agglomeration of painters, inspired by Gauguin…
Hideously tasteful elegies to useless country singers: Bruce Springsteen’s Western Stars reviewed
Grade: B– The first Springsteen song I ever heard was ‘Born To Run’, back when I was 14. I clocked…
Jonathan Dimbleby is right: we need to rise up and defend the BBC
There’s been a Dimbleby on air since before I was born but last Friday saw the end of that era…
A good horror film for those who don’t like horror films: Midsommar reviewed
Midsommar is the latest horror film from Ari Aster, who made Hereditary, which starred Toni Collette and was a sensation.…
A crowd-pleasing pantomime: Present Laughter at the Old Vic reviewed
Present Laughter introduces us to a chic, louche and highly successful theatrical globetrotter, Garry Essendine, whose riotous social life is…
Margaret Olley Pomegranates in a basket 1967
It’s a barely forgivable cliche to call them ‘the odd couple’; but Margaret Olley (1923-2011) and Ben Quilty (b. 1973)…
Cindy Sherman – selfie queen
The selfie is, of course, a major, and to me mysterious, phenomenon of our age. The sheer indefatigability of selfie-takers,…
Funny moments swamped by an intolerable romance: Yesterday reviewed
Yesterday is the latest comedy (with sad bits) from Richard Curtis, directed by Danny Boyle, about an unsuccessful singer-songwriter, Jack,…
Why I’m done with Fleetwood Mac
There is something inexplicably exciting about pop’s notion of a ‘scene’: young musicians of similar outlooks drawn together by a…
Saved by the chorus
We’ve cried wolf with Handel. Ever since the modern trend began for staging the composer’s oratorios we’ve hailed each one…
A captivating freak-show: Bitter Wheat reviewed
Bitter Wheat, David Mamet’s latest play, features a loathsome Hollywood hotshot, Barney Fein, who offers to turn an actress into…
Shameless and corny: ITV’s Beecham House reviewed
ITV’s new drama Beecham House is set in late 18th-century India where the British and French were still battling it…
David Coverdale, lead singer of Whitesnake, talks hair, love handles and ‘sexism’
‘Invest in your hair,’ advises David Coverdale, a man with a shag of the stuff glossier than a supermodel’s and…
What drives Emily Maitlis?
It can’t be easy to find yourself on the other end of the microphone when you’re a journalist of the…
Brett Whiteley (1939-1992) Self portrait in the studio 1976
Painters and opera go together. Connected by passion and big gestures, it is not surprising that composers are drawn to…
Geoff Dyer on the poetry of motels
It’s to be expected. You take photographs in order to document things — Paris in the case of Eugène Atget…
Still reliably fab: Toy Story 4 reviewed
Nearly 25 years on from its immaculate birth, Toy Story — like Wagner’s Ring, like John Updike’s Rabbit novels —…
What Mary Wollstonecraft writes about motherhood is still so relevant
Walking into Fingal’s Cave, after scrambling across the rocks to reach it from the landing stage where the boat from…
Enveloping and gorgeous: Cate Le Bon reviewed
The last time Bikini Kill played in London was in a room that now serves as the restaurant of a…
Oodles of fun – but unfair on climate sceptics: Kill Climate Deniers reviewed
Kill Climate Deniers is a provocative satire by Australian theatre-activist David Finnigan. The title sounds misanthropic and faintly deranged but…
Girls will love it – and there’s just enough eye candy for boys: Big Little Lies reviewed
Six hundred and thirty years ago, Chaucer revealed in ‘The Wife of Bath’s Tale’ that what women really want is…
Remarkable and powerful – you see her joining the old masters: Paul Rego reviewed
In 1965 a journalist asked Paula Rego why she painted. ‘To give a face to fear,’ she replied (those were…
