Arts
Is now a good time to talk about Jews and money?
Is now a good time to talk about Jews and money? The Jewish Museum in London thinks so, and perhaps…
Art is often best experienced on the radio
At its best audio can be a much more visual medium than the screen. Making Art with Frances Morris (produced…
ENO’s Jack the Ripper needs to decide if it wants to be a gore-fest or social history
Is it possible to write a feminist opera about Jack the Ripper? Composer Iain Bell thinks it is, and his…
The mob is right about Line of Duty – it remains unmissably exciting
On Sunday a drama began with ED905 being stolen by an OCG who’d faked an RTC that required IR, little…
Aurora Orchestra’s Brexit concert nearly turned me into a Leaver
Back when the UK was assumed to be leaving the European Union on 29 March, the Aurora Orchestra was invited…
A masterclass of menace and magnificence: Romeo and Juliet reviewed
Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…
An exceptional dystopia that’s made for TV: The Phlebotomist reviewed
The Phlebotomist by Ella Road explores the future of genetics. Suppose a simple blood test were able to tell us…
Intriguing and beguiling but God know what it adds up to: Happy as Lazzaro reviewed
Alice Rohrwacher’s Happy as Lazzaro sets out as a neorealist tale of exploited sharecroppers, but midway through the story it…
Self portrait 1934 Nora Heysen
In his new biography of Winston Churchill, Andrew Roberts notes that ‘it was said of Emperor Napoleon III that he…
My ringside seat on the Mary Quant revolution
I think I probably qualify as the oldest fashion editor in the world, because in spite of my advanced age…
Listening to plays in a foreign language is a weirdly engaging experience
As the ravens circle around Broadcasting House in London’s West End, presaging difficult times ahead for BBC Radio, with less…
Has Bruce Norris bitten off more than he can chew?
Bruce Norris is a firefighter among dramatists. He runs towards danger while others sprint in the other direction. His Pulitzer-winning…
The joy of George Shaw’s miserable paintings of a Coventry council estate
All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…
The most glorious singing anyone born after 1970 will ever have heard: La forza del destino reviewed
To stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The…
The greatest Beatle? Pete Best
Which of the Beatles would you most like to have been? Not either of the dead ones, presumably. Nor the…
Powerful elegy for a world that is slipping away: Tate Britain’s The Asset Strippers reviewed
There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate…
Clumsy, long and lacking circus thrills: Tim Burton’s Dumbo reviewed
Dumbo is an elephant we can’t forget. More than 70 years since Disney’s 1941 film, the big-eared baby is still…
Fernando Guimarães
The closing chapters of Homer’s Odyssey were the source for the opera regarded as the crowning achievement of composer Claudio…
The rise and rise of the holographic tour
In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa —…
Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed
Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…
Watch Tom Hiddleston ruin Pinter’s finest play
No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for…
Why did no one think the premise of Mums Make Porn was questionable?
What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question…
Is the increasing secularisation of funerals a good thing?
‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…
Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed
You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…
The fall of Daniel Barenboim
A few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim.…
