Tate modern
![English National Opera's triumphant new production of Harrison Birtwistle's The Mask of Orpheus, directed by Daniel Kramer. [Photo: Alistair Muir]](https://spectatorau.imgix.net/content/uploads/2019/10/Opera_Exhibitions.jpg?auto=compress,enhance,format&crop=faces,entropy,edges&fit=crop&w=410&h=275)
A triumph: ENO’s Mask of Orpheus reviewed
ENO’s Mask of Orpheus is a triumph. It’s also unintelligible. Even David Pountney, who produced the original ENO staging in…
You’ll be blubbing over a wooden boulder at David Nash’s show at Towner Art Gallery
Call me soppy, but when the credits rolled on ‘Wooden Boulder’, a film made by earth artist David Nash over…
Olafur Eliasson’s art is both futuristic and completely traditional – which is why I love it
Superficially, the Olafur Eliasson exhibition at Tate Modern can seem like a theme park. To enter many of the exhibits,…
Full of wonders: Takis at Tate Modern reviewed
Steel flowers bend in a ‘breeze’ generated by magnetic pendulums. This is the first thing you see as you enter…
There is a jewel of a painting at Gagosian’s Francis Bacon show
‘It is no easier to make a good painting,’ wrote Vincent van Gogh to his brother Theo, than it is…
Powerful elegy for a world that is slipping away: Tate Britain’s The Asset Strippers reviewed
There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate…
Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed
Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…
Phyllida Barlow’s sculptural wonderland reigns supreme at the Royal Academy
‘Those who can, do; those who can’t, teach.’ If there’s an exception to prove Shaw’s rule, it’s Phyllida Barlow. The…
Was Pierre Bonnard any good?
An attendant at an art gallery in France once apprehended a little old vandal, or so the story goes. He…
Peak Picasso: how the half-man half-monster reached his creative – and carnal – zenith
By 1930, Pablo Picasso, nearing 50, was as rich as Croesus. He was the occupant of a flat and studio…
The art of persuasion
It’s hard to admire communist art with an entirely clear conscience. The centenary of the October revolution, which falls this…
The Bilbao effect
Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…
The lifts are lovely: Tate Modern’s extension reviewed
Tate Modern, badly overcrowded, has built itself a £260 million extension to spread everyone about the place more. This means…
A lot of art is trickery - and all the better for it
One day, in the autumn of 1960, a young Frenchman launched himself off a garden wall in a suburban street…
Galleries are getting bigger - but is there enough good art to put in them?
Until a decade and a half ago, we had no national museum of modern art at all. Indeed, the stuff…
Alexander Calder: the man who made abstract art fly
One day, in October 1930, Alexander Calder visited the great abstract painter Piet Mondrian in his apartment in Paris. The…
German refugees transformed British cultural life - but at a price
Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s…
The World Goes Pop at Tate Modern - our critic goes zzzzz
The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…
Ai Weiwei: the perfect Asian artist for lazy western curators
In September, the Royal Academy of Arts will present a solo exhibition of works by the Chinese artist Ai Weiwei.…
Forget Vienna - Britain now has its own chamber of curiosities at the British Museum
Art is not jewellery. Its value does not reside in the price of the materials from which it is made.…
What are modern museums really for?
On 1 July, at a swanky party at Tate Modern, one of Britain’s museums will bank a cheque for £100,000,…
Better than Robert? Sonia Delaunay at Tate Modern reviewed
In 1978, shortly before she died, the artist Sonia Delaunay was asked in an interview whether she considered herself a…
Marlene Dumas at Tate Modern reviewed: 'remarkable'
‘Whoever wishes to devote himself to painting,’ Henri Matisse once advised, ‘should begin by cutting out his own tongue.’ Marlene…
2015 in exhibitions - painting still rules
The New Year is a time for reflections as well as resolutions. So here is one of mine. In the…
Tate Modern’s latest show feels like it’s from another planet
‘Some day we shall no longer need pictures: we shall just be happy.’ — Sigmar Polke and Gerhard Richter, 1966…
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