Tate modern

Like walking into a Rothko: ‘Din blinde passager’ (‘Your blind passenger’), 2010, by Olafur Eliasson

Olafur Eliasson’s art is both futuristic and completely traditional – which is why I love it

27 July 2019 9:00 am

Superficially, the Olafur Eliasson exhibition at Tate Modern can seem like a theme park. To enter many of the exhibits,…

‘Telepainting’, 1964, by Takis

Full of wonders: Takis at Tate Modern reviewed

13 July 2019 9:00 am

Steel flowers bend in a ‘breeze’ generated by magnetic pendulums. This is the first thing you see as you enter…

Dark masterpiece: ‘Two Figures’, 1953, by Francis Bacon

There is a jewel of a painting at Gagosian’s Francis Bacon show

15 June 2019 9:00 am

‘It is no easier to make a good painting,’ wrote Vincent van Gogh to his brother Theo, than it is…

Back to the future: ‘The Asset Strippers’, by Mike Nelson

Powerful elegy for a world that is slipping away: Tate Britain’s The Asset Strippers reviewed

30 March 2019 9:00 am

There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate…

Soft cell: ‘Hôtel du Pavot, Chambre 202’, 1970–73, by Dorothea Tanning

Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed

16 March 2019 9:00 am

Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…

Careful, Phyllida: the artist posing by her rickety sculptural wonderland at the RACareful, Phyllida: the artist posing by her rickety sculptural wonderland at the RA

Phyllida Barlow’s sculptural wonderland reigns supreme at the Royal Academy

2 March 2019 9:00 am

‘Those who can, do; those who can’t, teach.’ If there’s an exception to prove Shaw’s rule, it’s Phyllida Barlow. The…

Immaterial world: ‘The Table’, 1925, by Pierre Bonnard

Was Pierre Bonnard any good?

26 January 2019 9:00 am

An attendant at an art gallery in France once apprehended a little old vandal, or so the story goes. He…

Cherchez la femme: ‘Reclining Nude (Femme nue couchée)’, 1932, by Pablo Picasso

Peak Picasso: how the half-man half-monster reached his creative – and carnal – zenith

10 March 2018 9:00 am

By 1930, Pablo Picasso, nearing 50, was as rich as Croesus. He was the occupant of a flat and studio…

‘Soviet Union Art Exhibition’, Zurich 1931, by Valentina Kulagina

The art of persuasion

28 October 2017 9:00 am

It’s hard to admire communist art with an entirely clear conscience. The centenary of the October revolution, which falls this…

The Factory (image: OMA/Factory)

The Bilbao effect

21 October 2017 9:00 am

Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…

The lifts are lovely: Tate Modern’s extension reviewed

28 May 2016 9:00 am

Tate Modern, badly overcrowded, has built itself a £260 million extension to spread everyone about the place more. This means…

‘Wall Street, New York’, 1915, by Paul Strand

A lot of art is trickery - and all the better for it

26 March 2016 9:00 am

One day, in the autumn of 1960, a young Frenchman launched himself off a garden wall in a suburban street…

'Lion Hunt', 1861, by Eugène Delacroix

Galleries are getting bigger - but is there enough good art to put in them?

2 January 2016 9:00 am

Until a decade and a half ago, we had no national museum of modern art at all. Indeed, the stuff…

Alexander Calder: the man who made abstract art fly

14 November 2015 9:00 am

One day, in October 1930, Alexander Calder visited the great abstract painter Piet Mondrian in his apartment in Paris. The…

From top left: Lucian Freud, Rudolf Bing, Stefan Zweig, Walter Gropius, Rudolf Laban, Max Born, Kurt Schwitters, Friedrich Hayek, Fritz Busch, Frank Auerbach, Emeric Pressburger, Oskar Kokoschka

German refugees transformed British cultural life - but at a price

3 October 2015 9:00 am

Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s…

‘Socialist realism and pop art in the battlefield’, 1969, by Equipo Cronica

The World Goes Pop at Tate Modern - our critic goes zzzzz

19 September 2015 8:00 am

The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…

Ai Weiwei: the perfect Asian artist for lazy western curators

22 August 2015 9:00 am

In September, the Royal Academy of Arts will present a solo exhibition of works by the Chinese artist Ai Weiwei.…

Detail of a maiolica vase, c.1565–1571, a star piece for both Horace Walpole at Strawberry Hill and later for Baron Ferdinand at Waddesdon Manor

Forget Vienna - Britain now has its own chamber of curiosities at the British Museum

11 July 2015 9:00 am

Art is not jewellery. Its value does not reside in the price of the materials from which it is made.…

Cornelia Parker’s War Room at the Whitworth, Manchester

What are modern museums really for?

30 May 2015 9:00 am

On 1 July, at a swanky party at Tate Modern, one of Britain’s museums will bank a cheque for £100,000,…

‘Propeller (Air Pavilion)’, 1937

Better than Robert? Sonia Delaunay at Tate Modern reviewed

18 April 2015 9:00 am

In 1978, shortly before she died, the artist Sonia Delaunay was asked in an interview whether she considered herself a…

Marlene Dumas at Tate Modern reviewed: 'remarkable'

7 February 2015 9:00 am

‘Whoever wishes to devote himself to painting,’ Henri Matisse once advised, ‘should begin by cutting out his own tongue.’ Marlene…

‘Woman at Her Toilette’, 1875/80, by Berthe Morisot

2015 in exhibitions - painting still rules

3 January 2015 9:00 am

The New Year is a time for reflections as well as resolutions. So here is one of mine. In the…

Tate Modern’s latest show feels like it’s from another planet

18 October 2014 9:00 am

‘Some day we shall no longer need pictures: we shall just be happy.’ — Sigmar Polke and Gerhard Richter, 1966…

Malevich: Are Tate visitors ready for this master of modernism?

26 July 2014 9:00 am

Kazimir Malevich (1879–1935) is one of the founding fathers of Modernism, and as such entirely deserves the in-depth treatment with…

‘Icarus’, 1943, by Henri Matisse, maquette for plate VIII of ‘Jazz’, 1947

The Matisse Cut-Outs is a show of true magnificence

26 April 2014 9:00 am

Artists who live long enough to enjoy a late period of working will often produce art that is radically different…