Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s scientific observation that the stuff of dreams will out, artists were painting it.

The English have never been much cop at surrealism — too buttoned up; the Celts are better. The Scottish painters Alan Davie and John Bellany, jointly celebrated in Newport Street Gallery’s latest show, Cradle of Magic, were both surrealists in different ways.