Painting
How good a painter was Frida Kahlo?
In 2004 Mexican art historians made a sensational discovery in Frida Kahlo’s bathroom. Inside this space, sealed since the 1950s,…
Sorrow and pity are no guarantee of artistic success: Aftermath at Tate Britain reviewed
Some disasters could not occur in this age of instant communication. The first world war is a case in point:…
Edward Bawden is deservedly one of Britain’s most popular 20th century artists
‘When I’m on good form,’ Edward Bawden told me, ‘I get to some point in the design and I laugh…
Patrick Heron’s paintings are exhilarating – his colours dance, pulse & boff you on the nose
Patrick Heron’s paintings of the 1950s melt like ice creams. You want to run your tongue along the canvas and…
The greatest French museum you’ve never heard of
Imagine a French museum that’s second only to the Louvre when it comes to paintings, with an eye-watering collection of…
No one can beat Mary Cassatt at painting mothers and children
A lady licking an envelope. An intimate thing. It might be only the bill from the coal-man she’s paying, but…
The artist more fond of flowers and vegetables than people – and who can blame him
I have occasionally mused that there is plenty of scope for a Tate East Anglia — a pendant on the…
The public are quite right to love Monet
Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…
The loveliest episode of Holy Week – Christ rises from the potting shed
In Nicolas Poussin’s ‘Noli Me Tangere’ (1653) Christ stands with his heel on a spade. He appears, in his rough…
Surreal jokes and juicy strokes: Martin Gayford on the power of paint
René Magritte was fond of jokes. There are several in René Magritte (Or: The Rule of Metaphor), a small but…
Peak Picasso: how the half-man half-monster reached his creative – and carnal – zenith
By 1930, Pablo Picasso, nearing 50, was as rich as Croesus. He was the occupant of a flat and studio…
Magnificent paintings – oddly curated: All Too Human reviewed
In the mid-1940s, Frank Auerbach remarked, the arbiters of taste had decided what was going to happen in British art:…
The strangely unique vision of Leonard Rosoman
Leonard Rosoman is not a well-known artist these days. Many of us will, however, be subliminally familiar with his mural…
Worth a trip for the David Joneses alone: Journeys with ‘The Waste Land’ reviewed
To bleak, boarded-up Margate — and a salt-and-vinegar wind that leaves my face looking like Andy Warhol’s botched 1958 nose-peel…
A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed
Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…
For Ronnie Wood, every picture tells a story
I am in Paris for the Rolling Stones’ No Filter concert, in Ronnie Wood’s dressing room minutes before he is…
The time has come for one of the most fascinating and idiosyncratic Renaissance artists
Lorenzo Lotto’s portraits — nervous, intense and enigmatic — are among the most memorable to be painted in 16th-century Italy,…
The pure joy of a boring car
My pal Charlie inherited a car and a ride-on mower from an old pal. He kept the mower and the…
A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed
Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…
The most impressive array of work to be seen in London in years: Cézanne’s Portraits reviewed
The critic and painter Adrian Stokes once remarked on how fortunate Cézanne had been to be bald, ‘considering the wonderful…
The advantages of turning down the colour knob: Monochrome reviewed
Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…
London calling
Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…
Emotional rescue
In the 1880s the young Max Klinger made a series of etchings detailing the surreal adventures of a woman’s glove…
Raw materials
‘Art by its very essence is of the new… There is only one healthy diet for artistic creation: permanent revolution.’…
Cabbages and kings
The first pastry cook Chaïm Soutine painted came out like a collapsed soufflé. The sitter for ‘The Pastry Cook’ (c.1919)…
