No. 793

23 March 2024 9:00 am

How depressing when people over-identify with their ethnicity

23 March 2024 9:00 am

Spectator competition winners: poems about great works of art

23 March 2024 9:00 am

Is it getting cheaper to install a heat pump?

23 March 2024 9:00 am

The contradictory brilliance of Boston cream pie

23 March 2024 9:00 am

The police have given up on actual crime

23 March 2024 9:00 am

What does Rachel Reeves stand for?

23 March 2024 9:00 am

Could Jordan Bardella be France’s next PM?

23 March 2024 9:00 am

Portrait of the Week: Reeves speaks, Varadkar resigns and Putin plots

23 March 2024 9:00 am

Inside America’s stand against TikTok

23 March 2024 9:00 am

The BBC has an aura of entitlement

23 March 2024 9:00 am

Letters: why we need assisted dying

23 March 2024 9:00 am

Who’s behind the Mordaunt plot?

23 March 2024 9:00 am

Bridge | 23 March 2024

23 March 2024 9:00 am

We have less freedom now than we did 40 years ago

23 March 2024 9:00 am

My night with a murderer

23 March 2024 9:00 am

Scotland’s new Hate Crime Act is fraught with danger

23 March 2024 9:00 am

The joy of jump-scares in gaming

23 March 2024 9:00 am

Directors shouldn’t meddle with Shakespeare

23 March 2024 9:00 am

Insipid show of a weak painter: Angelica Kauffman, at the Royal Academy, reviewed

23 March 2024 9:00 am

The greatness of Steve Harley

23 March 2024 9:00 am

Readers, I welled up! At a cartoon! Robot Dreams reviewed

23 March 2024 9:00 am

The disruptive comeback of Jacob Zuma

23 March 2024 9:00 am

An engrossing new two-hander about Benjamin Britten

23 March 2024 9:00 am

‘The interiors are happily insane’: Dear Jackie, reviewed

23 March 2024 9:00 am