Theatre
Two hours of bickering from a couple of doughnut-shaped crybabies: Middle, at the Dorfman Theatre, reviewed
‘I fink I doan luv yew any maw.’ A marital bust-up drama at the National Theatre opens with a whining…
Angry diatribes and amusing pranks: Donmar Warehouse's Marys Seacole reviewed
The title of the Donmar’s new effort, Marys Seacole, appears to be a misprint and that makes the reader look…
Muddled, tricksy and cheap: The Corn is Green at the Lyttelton Theatre reviewed
The Corn is Green by Emlyn Williams is a sociology essay written in 1938 about a prickly tyrant, Miss Moffat,…
This Trump satire is too soft on Sleepy Joe and Cackling Kamala: The 47th at the Old Vic reviewed
Trump is said to be a gift for bad satirists and a problem for good ones. He dominates Mike Bartlett’s…
Could the Arts Council pay Americans to keep this stuff in America? Daddy and The Fever Syndrome reviewed
The Fever Syndrome is a dramatised lecture set in a New York brownstone occupied by the super-brainy Myers family. The…
Shakespearean directors could learn from this: the National Theatre’s Hamlet for 8- 12-year-olds reviewed
The NT has rejigged Hamlet for 8- to 12-year-old children. It’s a decent attempt to cover the highlights at a…
A play for bureaucrats: David Hare's Straight Line Crazy reviewed
It’s good of Nicholas Hytner to let Londoners see David Hare’s new play before it travels to Broadway where it…
It’s years since I saw anything as nasty as this: Cock at the Ambassadors Theatre reviewed
Cock was written by Mike Bartlett in 2009 while he was in Mexico at a drama conference. The title suggests…
A must-see for Westminster obsessives: Riverside Studios' Bloody Difficult Women reviewed
Bloody Difficult Women is a documentary drama by the popular journalist Tim Walker, which looks at the similarities between Gina…
Stands alongside Under Milk Wood: Shedding a Skin, at Soho Theatre, reviewed
Shedding a Skin opens with an office nightmare. Amanda is a mixed-race employee in a predominantly white firm who gets…
Paul Bettany's Warhol is a tour de force: The Collaboration, at the Young Vic, reviewed
The Collaboration is set in the 1980s when Andy Warhol teamed up with the painter Jean-Michel Basquiat to create bad…
A beautiful, frustrating bore: Florian Zeller's The Forest, at Hampstead Theatre, reviewed
The Forest is the latest thriller from the French dramatist Florian Zeller, translated by Oscar winner Christopher Hampton. It’s a…
All a bit Blackadder: Hamlet, at the Sam Wanamaker Playhouse, reviewed
Never Not Once has a cold and forbidding title but it starts as an amusing tale set in an LA…
A tangle of nonsense from the sloppy Caryl Churchill: A Number, at the Old Vic, reviewed
A Number, by Caryl Churchill, is a sci-fi drama of impenetrable complexity. It’s set in a future society where cloning…
Is this the worst production of all time? Royal Court's The Glow reviewed
It’s getting silly now. London’s subsidised theatres aren’t just competing to put on the worst play of the year but…
Borderline soft porn but thrilling: Moulin Rouge! The Musical at Piccadilly Theatre reviewed
Moulin Rouge wins no marks for its storyline. A struggling Parisian theatre is bought out by an evil financier who…
Suchet makes Poirot sound like craft beer: Poirot and More, at Harold Pinter Theatre, reviewed
Producers are getting jittery again. Large-scale shows look risky when a single infection can postpone an entire show. Hence Poirot…
One of the best nights of my life: Hampstead Theatre's Peggy For You reviewed
Hampstead Theatre has revived a play about Peggy Ramsay, the legendary West End agent who shaped the careers of Joe…
His thuggish materials
Philip Pullman’s The Book of Dust has been adapted at the Bridge. The yarn is set in Oxford, and the…
Clive Rowe is astonishing: Hackney Empire's Jack and the Beanstalk reviewed
Jack and the Beanstalk is a big, sprawling family show that opens with a baffling gesture. A booming voiceover announces…
An amazing technical achievement: Life of Pi at Wyndham's Theatre reviewed
Yann Martel’s novel Life of Pi is a complicated organism. The action starts in southern India where we meet a…
The National has become the graveyard of talent: Manor, at the Lyttelton, reviewed
Somewhere in the wilds of England a stately home is collapsing. Rising floodwaters threaten the foundations. Storms break over the…
Guilt-free hilarity: Vanya and Sonia and Masha and Spike at Charing Cross Theatre reviewed
World-class sex bomb Janie Dee stars in a fabulously silly revival of the American comedy Vanya and Sonia and Masha…
A gem that should be released online: Park Theatre’s Abigail’s Party reviewed
Mike Leigh’s classic, Abigail’s Party, has been revived under the direction of Vivienne Garnett. The script is a guilty secret…
An affectionate exercise in comic sabotage: Pride & Prejudice* (*sort of) reviewed
Let’s be honest. Jane Austen is popular because War and Peace doesn’t fit inside a handbag. Austen’s best-loved novel, Pride…
