Theatre
Sinister panto about the formation of the NHS: Nye, at the Olivier Theatre, reviewed
A Judy Garland rendition, dancing nurses, a star lead: no spectacle is spared in Tim Price’s new play Nye, which…
Devastating: Almeida Theatre’s King Lear reviewed
Yaël Farber’s production of King Lear at the Almeida Theatre is imbued with an undercurrent of tension that feels as…
Branagh can’t quite banish the spirit of Noel Edmonds: King Lear, at Wyndham’s Theatre, reviewed
Branagh vs Lear. The big fixture in theatreland ends in a win for Shakespeare’s knotty and intractable script which usually…
Comedy of the blackest kind: Boy Parts, at Soho Theatre, reviewed
There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s…
Real women do not behave like this: Lyonesse, at the Harold Pinter Theatre, reviewed
Lyonesse by Penelope Skinner takes a while to get going. The central character, Elaine, is a washed-up British actress (Kristin…
If only Caryl Churchill’s plays were as thrillingly macabre as her debut
The first play by the pioneering feminist Caryl Churchill has been revived at the Jermyn Street Theatre. Owners, originally staged…
Scherzinger is superb but why’s the set so dark and ugly? Sunset Boulevard, at the Savoy Theatre, reviewed
Sunset Boulevard is a re-telling of the Oedipus story set in the cut-throat world of Hollywood. Pick a side in…
As gripping as an Agatha Christie thriller: Shooting Hedda Gabler, at the Rose Theatre, reviewed
The unlovely Rose Theatre in Kingston is a modest three-storey eyesore. The concrete foyer looks like an exercise area on…