Arts
If this is Aaron Sorkin’s riposte to those who criticise his portrayal of women, God help us
Molly’s Game marks the directorial debut of Hollywood’s most celebrated screenwriter, Aaron Sorkin, and is based on his adaptation of…
Parliament Square at the Bush is theatre that believes it knows politics better than professional politicians
A new play at the Bush with a catchy political title. Parliament Square introduces us to Kat, a young Scots…
Pete Waterman on hits, HS2 and gay clubbing
One of the members of the government’s HS2 Growth Taskforce is remembering the first time he went to a gay…
The nymphs are hit and miss, but Osipova is a witty, multifaceted Sylvia: the Royal Ballet’s Sylvia reviewed
You can pay homage to a ballet classic or you can tear it up and reinvent it. Both approaches were…
The 280-mile walk that made Bach who he was
It was in his organ loft at Arnstadt that I began my acquaintance with Johann Sebastian Bach — with JSB,…
St Vincent’s Massediction is my album of year (in that I don’t actually hate it yet)
This has not been an appalling year for pop music — it was better than 1984, for example, and 1961.…
Radio 3 offers a refreshing antidote to the current conversations about Europe
The season of Advent, for most children, means anticipation, gleeful waiting, the counting down of days. But after a certain…
A recording that makes you realise Les Troyens is one of the greatest operatic masterpieces
Grade: A- Berlioz’s Les Troyens, one of the greatest operatic masterpieces, manages to be neglected even if it is…
Lovely to look at but irritatingly pious: The Miniaturist reviewed
BBC1’s The Miniaturist (26/7 December) is a lavish two-part adaptation of Jessie Burton’s bestseller. It’s also further proof that almost…
“The Wider Earth”
It’s predecessor was the quaintly titled Waratah Festival which ran for a few days in October. In 1977 Stephen Hall,…
From good witch to female Alan Bennett: the Queen on the big screen
If cinema is propaganda, Elizabeth II can be grateful to it. Film is a conservative art form, and almost nothing…
The star of the Winnie-the-Pooh show at V&A is E.H. Shepard
The thing about Winnie-the-Pooh, 91 years old this year, is that he’s the creature of E.H. Shepard, who drew him,…
Gorgeous but exhausting: Jurowski/LPO at Royal Festival Hall reviewed
To get a flavour of Joseph Marx’s An Autumn Symphony, picture the confectionery counter in a grand Viennese café. Beneath…
What it feels like to hold a heart
It’s been heart week on Radio 4, celebrating the anniversary of the first ‘successful’ heart transplant in 1967, which was…
Once you get over its political correctness, Netflix’s Godless is a cracker
Boy came to me the other night in a state of dismay. ‘Dad, I just turned on Match of the…
It’s impossible to muff the role of Scrooge – yet Rhys Ifans manages: A Christmas Carol reviewed
Maximum Victoriana at the Old Vic for Matthew Warchus’s A Christmas Carol. Even before we reach our seats we’re accosted…
My favourite frum film of the year – thus far: Menashe reviewed
Menashe is a drama set amid Brooklyn’s ultra-orthodox Hasidic community. It is performed entirely in the Yiddish language. It is…
Xu Zhen Eternity-Buddha in Nirvana
When state governments put money into cultural events they like them to be large and ‘exclusive’. Well, the Victorian Government…
An exceptional new film about Jane Goodall unearths a remarkable love story
There are times when our national passion for cutting people down to size is a little tiring. I left Brett…
Why does James Purnell think radio needs to be ‘reinvented’?
Grade: A A dimbo pop reviewer for one of our national newspapers suggested that on this album, her ninth, Björk…
If you like Schoenberg, you’ll like Björk’s Utopia
At the launch of the Christmas radio schedules last week, James Purnell, director of radio (and much more) at the…
A non-sniggering look at the latest developments in the lucrative sex-robot market
This week on Channel 4, we watched a cheery 58-year-old American engineer called James going on a first date. He…
Huge audiences, gongs galore and Broadway awaits Everybody’s Talking About Jamie
Everybody’s Talking About Jamie opened at the Sheffield Crucible in February for a standard three-week run. The show is based…
The heart is unstirred in Haneke’s morose critique of a fractured society: Happy End reviewed
The films of Michael Haneke wear a long face. Psychological terror, domestic horror, sick sex, genital self-harm — these are…
After you’ve seen a few, you start to think, ‘Oh no, not another!’: Modigliani at Tate reviewed
‘It’s odd,’ Picasso once mused, ‘but you never see Modigliani drunk anywhere but at the corners of the boulevard Montmartre…
