Charismatic, powerful and raw: Patti Smith, at Somerset House, reviewed
There are certain long-established rules for describing Patti Smith. Google her name and the words ‘shaman’ and ‘priestess’ and you’ll…
Teenage Swifties restored my faith in strangers
Taylor Swift is the last of the monocultural pop icons. Put it this way: I bet you’ve heard of her.…
‘Psychedelic folk that twists and leaps’: Beth Gibbons, at the Barbican, reviewed
A decade ago, a group of people who owned small music venues came to the conclusion that the kinds of…
Nickelback may not be cool but they are very good at what they do
In May 2013, Rolling Stone polled its readers in an attempt to discover which band might be crowned the worst…
The unstoppable rise of country music
When a major artist releases a new album, the first thing to follow is the onslaught of think pieces. And…
Lovely slice of Cosmic Scouse: Michael Head & the Red Elastic, at EartH, reviewed
One of the more bizarre but recurring tales about how the music of Liverpool has been shaped over these past…
Adrianne Lenker is a treasure for the ages
You could very well sum up their differing approaches to American roots music from how they were dressed. Both wore…
Why garage punk is plainly the apogee of human achievement
How is it that a group that sounds like the Hives are selling out the Apollo? In a world configured…
Never admit that your band is prog – it’s the kiss of death
Sensible prog-rock bands try to ensure no one ever realises they play prog. What happens when you are deemed a…
Spellbinding performance of a career-defining record: Corinne Rae Bailey, at Ladbroke Hall, reviewed
You won’t see two more contrasting shows this year than Corinne Bailey Rae performing her album Black Rainbows and Brian…
Virgin on the astonishing: Madonna, at The O2, reviewed
When I was a kid listening obsessively to AC/DC and Iron Maiden and Black Sabbath, I despaired of music writers.…
An awfully long night for a band without any bangers: The National, at Alexandra Palace, reviewed
Over the past few years, the National have become the most important band in modern rock music. The strange thing…
If you can’t get something out of the songs of Shania Twain, you’re a lost cause
Pop critics routinely make the mistake of assuming the most important acts are the ones copied by the groups they…
The Strokes are always terrible – why do I keep going back to see them?
Quite when the concept of coolness became a thing is uncertain, even to etymologists. As early as 1884, an academic…
It was midnight in a field in Wales and I was lying face down in six inches of mud: Green Man Festival reviewed
I love Green Man. The smallish festival is the second most beautiful site I’ve ever visited (after G Fest, which…
Is it all an elaborate practical joke? Mac DeMarco, at Hackney Empire, reviewed
It’s not just who our pop heroes are that marks the passing of the generations; it’s how those heroes present…
A giddy delight: Regina Spektor, at the Royal Festival Hall reviewed
We’ll get on to the brilliance of Regina Spektor in a moment. But first a question: why are pop music…
