Triumphant: Idles at the O2 Brixton Academy reviewed
The single thing you don’t want when you are beginning a run of four shows in a prestige venue, with…
A soulful man with a blistering voice: Sipho, at Studio 9294, reviewed
When I were a lad — back when you could buy the entire back catalogue of the Fall for thruppence…
One of many soul acts looking back 50 years and doing very good business: Black Pumas, at the Roundhouse, reviewed
No musician ever went bust overestimating the public desire to hear classic soul. Slapping on a Motown backbeat has revived…
Joyous perfection from a band that's sure to go far: Gabriels at The Social reviewed
The bigger the next big thing, the smaller the room you want them playing in. You want the people who…
A terrible joke gone wonderfully right: Rick Astley and Blossoms Perform the Smiths reviewed
Many of us who grew up loving the Smiths have rather shelved that affection in recent years. Many of us,…
Two gigs that prove that rock and pop is never just about the music
The single most boring and pointless thing that is ever said about rock and pop — and it always comes…
Teenage Fanclub are not a dramatic group, but they are lovely
They may no longer get many teenagers at their shows spending all their money on merchandise, then throwing up on…
What a genuine delight to be among people: Gorillaz, at the O2, reviewed
The new music economy relies on cross-promotion and artists reaching out to different scenes. And the rise of streaming means…
Could she be the new Sade? Celeste at Union Chapel reviewed
Some years ago, when I was the music editor of a newspaper, I called a number of historians of black…
The real death of rock
What would a rock band have to do now to be seen as heralding the future? Twenty years ago, it…
The joys of musical comfort food
I’ve given up comfort food. I’m trying to shift lockdown pounds that have left me with the physique of the…
Wispy, gauzy beauty: This Is The Kit, Barbican, reviewed
On the way home from This Is The Kit’s show at a socially distanced Barbican, I listened to Avalon by…
A perfect welcome back to live music: Sarathy Korwar at Kings Place reviewed
There is a reason music writers tend to stick with music writing rather than transferring their manifold talents to the…
‘I’m not interested in moral purity’: St Vincent interviewed
Michael Hann talks to St Vincent about Sheena Easton, Stalin and performing in five-inch heels
Watch kids go giddy in Niamey: Mdou Moctar live in Niger reviewed
The other week someone posted on Twitter a link to a YouTube clip titled ‘Family Lotus and D.J. Cookin’ at…
Moments of pure wonder: Folk Weekend Oxford reviewed
Has any musical moment extended its tendrils in so many unexpected directions as the English folk revival of the mid-1960s?…
The songs are still as fresh and appetising as a hot loaf: The Lightning Seeds livestream reviewed
One thing about a streamed festival is that the toilets are better than at the real thing. The other thing,…
Reminiscent of Roxy Music’s cocktail sound: The Weather Station reviewed
One of the unforeseen consequences of the rise of streaming was a change in the very structure of the pop…
Revelatory and grubby: Framing Britney Spears reviewed
The most headline-grabbing of these three pop docs was Framing Britney Spears, part of the New York Times Presents documentary…
The death of the mainstream band: Black Country, New Road reviewed
Twitter was awash with mockery last week, after Adam Levine, the singer of the American group Maroon 5, was interviewed…
'I like upsetting people': Steven Wilson interviewed
Michael Hann talks to the cult rock star Steven Wilson about why it’s harder to write a pop song than prog
Epic prog rock without the widdly-woo solos: Mogwai at the Tramway reviewed
You very possibly know the music of the Glaswegian band Mogwai, even if you don’t think you do. You might…
Makes me nostalgic for an era when music was more than a click away: Teenage Superstars reviewed
In Teenage Superstars, a long and slightly exhausting documentary about the Scottish indie scene of the 1980s and ’90s, there…
Proudly ridiculous and wholly glorious: KLF's Solid State Logik reviewed
Grade: A What a miracle the KLF were: an elaborate practical joke at the expense of the music industry, seemingly…
Meet the front man of ‘the most revolting band in the world’
Michael Hann talks to Corey Taylor, front man of ‘the most revolting band in the world’, about PTSD, Donald Trump and life after alcoholism
