Arts feature
‘Opera is something you come to later’
After a record 18 years – and counting – as music director, Antonio Pappano talks to Norman Lebrecht about life after Covent Garden and how opera is beyond younger audiences
On the offensive
Mark Mason talks to Clive Anderson about mistaken identity, Macbeth and making a career out of being a bit of a smartarse
Lost in translation
You won’t find much Jane Austen in the myriad adaptations of her novels, says Claire Harman
Warts and all
Jan van Eyck changed the art of picture-making more fundamentally than anyone who has ever lived, says Martin Gayford
Things that go bump
Pregnancy has always been a public spectacle – and as the Foundling Museum’s new exhibition shows, a dangerous one
Putting us in the picture
on the history, power and beauty of infographics
TikTok is the world’s fastest-growing – and goofiest – digital platform, but should we fear it?
In November last year, an internet video made by a 17-year-old American went viral. The video was less than a…
Beethoven wasn’t just history’s greatest composer but also one of its greatest human beings
Ludwig van Beethoven isn’t just my favourite composer: he’s my household god. There’s a bust of him on my mantelpiece.…
Martin Gayford visits the greatest one-artist show on Earth
For a good deal of this autumn, I was living in Venice. This wasn’t exactly a holiday, I’d like to…
Meet Congo, the Leonardo of chimps, whose paintings sell for £14,500
Three million years ago one of our ancestors, Australopithecus africanus, picked up a pebble and took it home to its…
Don’t tell me model railways aren’t art. My little engine is a thing of spirit and beauty
It’s a summer day at Llangenydd station, and the afternoon train is already late, not that anyone seems to mind.…
How capitalism killed sleep
What can you make a joke about these days? All the old butts of humour are off limits. No wonder…
From cartoons to stage design: the genius of Osbert Lancaster
‘Bigger,’ said Sir Osbert Lancaster when asked the difference between his work for the page and for the stage. ‘Definitely…
What really happened at Troy?
Heinrich Schliemann had always hoped he’d find Homer’s Troy. Although he had no archaeological background to speak of, he did…
Mick Hucknall on women, rejection and cultural appropriation
What makes someone become a pop star? Sometimes, it’s true, pop stardom arrives by accident, and its recipient responds not…
‘The only place I can’t get my plays on is Britain’: Sir Peter Brook interviewed
‘Everyone of us knows we deserve to be punished,’ says the frail old man before me in a hotel café.…
How did Richard Herring become the comedy podcast king?
What does it mean to be a successful comic? Richard Herring isn’t sure. He’s been a ‘professional funnyman’ for nearly…
The enduring allure of ‘er indoors
‘She’s only a bird in a gilded cage, a beautiful sight to see. You may think she’s happy and free…
Pilferer, paedophile and true great: Gauguin Portraits at the National Gallery reviewed
On 25 November 1895, Camille Pissarro wrote to his son Lucien. He described how he had bumped into his erstwhile…
Sebastiao Salgado – master of monochrome, chronicler of the depths of human barbarity
Occasionally, we encounter an image that seems so ludicrously out of kilter with the modern world that we can only…
The untold story of Judy Garland
Judy Garland is now a myth, a paradigm and a warning: don’t let your daughter on the stage! It’s the…
The many faces of William ‘Slasher’ Blake
‘Imagination is my world.’ So wrote William Blake. His was a world of ‘historical inventions’. Nelson and Lucifer, Pitt and…
On photography, shrines and Maradona: Geoff Dyer’s Neapolitan pilgrimage
At the Villa Pignatelli in Naples there is an exhibition by Elisa Sighicelli: photographs of bits and pieces of antiquity…






























