Arts feature
The new treasures of Pompeii
One afternoon in AD 79 an unusual cloud appeared above Vesuvius in the Bay of Naples. ‘It was raised high…
From haunted to haunter: the afterlife of W.G. Sebald
East Anglia, the rump of the British Isles, has inspired a disproportionate number of writers: Robert Macfarlane, Daisy Johnson, Mark…
How film fell for caliphs and slave girls
Most of Hollywood’s Arabian Nights fantasies are, of course, unadulterated tosh. The Middle East, wrote the American film critic William…
The joy of jousting
Emperor Maximilian I liked to say he invented the joust of the exploding shields. When a knight charged and his…
What makes British art British?
There’s no avoiding the Britishness of British art. It hits me every time I walk outside and see dappled trees…
Whitby Abbey is at the heart of Britain’s spiritual and literary history
The 199 steps up to the ruins of Whitby Abbey are a pilgrimage; they always have been. And any good…
Merce Cunningham’s work was magical, intangible, Einsteinian – revival is futile
On Tuesday, thousands of miles apart, in three great cities, London, New York and Los Angeles, 75 dancers will dance…
Why were the Victorians so obsessed with the moon?
In Shakespeare’s A Midsummer Night’s Dream, a group of slightly ramshackle workmen decide to put on a play. The play…
My ringside seat on the Mary Quant revolution
I think I probably qualify as the oldest fashion editor in the world, because in spite of my advanced age…
The rise and rise of the holographic tour
In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa —…
Toby Jones on the allure of the everyman – and the glamour of coach-driving
Toby Jones shuffles into the café in Clapham where we are meeting. He’s wearing a duffle coat and a hat…
Enjoy a blast of Spanish sun from Joaquin Sorolla
Artists can be trained, but they are formed by their earliest impressions: a child of five may not be able…
David Cairns explains how we learned to love Berlioz
According to his friend and fellow-composer Ernest Reyer, the last words Berlioz spoke on his deathbed were: ‘They are finally…
Here’s what I want from modern architecture, explains housing tsar Roger Scruton
The creation of a commission to examine beauty in new building created a stir in the media, with the chairman…
Meet India’s first – and only – professional western orchestra
It’s a 31ºC Mumbai morning, and on Marine Drive the Russian winter is closing in. The Symphony Orchestra of India…
How an anarchist music student become of the fashion greats: the life of Christian Dior
Strange to think when you visit the Christian Dior show at the V&A that his time as designer was so…
Dau is the strangest and most unsettling piece of art to come out of Russia in years
Dau is not so much a film as a document of a mass human experiment. The result is dark, brilliant…
All About Eve was all about bitching – off-screen as well as on
In 1950, Bette Davis had a string of recent flops behind her. She was 41, married to an embarrassing twerp…
What a relief we can finally admit Jimmy Porter was a pain in the neck
Gary Raymond must have been wondering if it was the end of a promising career — curtains. He was starring…
The balletic, bum-baring rituals of sumo
An early morning in late November in the peaceful glades that surround an ancient temple complex. A Shinto priest in…
Dick Clement on Porridge, Kirk Douglas and having seven projects on the go
Given their track record, you might think that Dick Clement and Ian La Frenais would be spared the struggles that…
The fascinating story behind one of the best-loved depictions of the Nativity
In the early 1370s an elderly Scandinavian woman living in Rome had a vision of the Nativity. Her name was…
The people have not forgotten me: the exiled Empress of Iran interviewed
Somewhere in the bowels of the Tehran Museum of Contemporary Art is a portrait from a lost world. Its subject…
Gary Kemp on pop, Pre-Raphaelites, politics and playing Pinter
The first thing Gary Kemp bought when Spandau Ballet started making money was a chair. He’s very proud of that…
![David Schwimmer has produced a new film of Alexander Zeldin’s play LOVE for the BBC. [Photo: Jose M. Osorio/Chicago Tribune/TNS via Getty Images]](https://www.spectator.com.au/wp-content/uploads/2018/12/8Declead.jpg?w=410&h=275&crop=1)
David Schwimmer on his new BBC film
There is very little art about modern poverty, because who wants to know? It is barely acknowledged, unless there is…
