Arts feature
The hecklers
Keith Burstein recalls a key moment in the battle for emancipation from the ivory tower of atonalism
‘I came, I saw, I scribbled’
Graeme Thomson talks to former Pogues frontman Shane MacGowan about his first art folio
Thrills, frills and folderols
A clever, original exhibition at the Wallace Collection has Laura Freeman twirling her way through the West End
High and mighty
Dan Hitchens on the beauty of gasholders
Lend me your ears
Don’t read James Joyce’s Ulysses, says John Phipps. Listen to it
Saint or hustler?
Laura Gascoigne dishes the dirt on Raphael
‘I had no interest in the theatre whatsoever’
Lloyd Evans talks to Keith Allen about Max Bygraves, how he fell into acting and the sensitivities of contemporary audiences
Go down, Moses
Robert Gore-Langton on the man who wrecked New York
The head in the bed
Fifty years since The Godfather’s release, Thomas W. Hodgkinson revisits the film’s most unforgettable scene
A new Arab spring?
Stuart Jeffries on Saudi Arabia’s burgeoning art scene
Building block
We should learn to love our turn-of-the-millennium architecture, says Helen Barrett, starting with the Dome
Everything under the sun
Christopher Howse is bowled over by the astonishingartefacts in the British Museum’s Stonehenge exhibition
The art of the high street
Daisy Dunn on the painters who celebrate shop fronts
The cowpat myth
He is caricatured as a populist and purveyor of ‘folky-wolky’ melodies, says Richard Bratby, but Vaughan Williams was a modernist master of uncompromising originality
Call of the wild
Francis Bacon sensed our inner beastliness and painted it with astonishing power, says Martin Gayford
Neville’s advocate
Nigel Jones talks to the writer Robert Harris about Blair, Johnson and Polanski, cancel culture and his quest to rehabilitate Neville Chamberlain
Master of dawn and dusk
Igor Toronyi-Lalic talks to the film-maker Apichatpong Weerasethakul about sleep, Tilda Swinton and VR
Second in command
The importance of understudies has been elevated to new heights by the pandemic, says Sarah Crompton
By Giorgio
Martin Gayford on a radical Nativity that is the subject of one of the great whodunnits of art history
‘I am not able to answer your question’
Hermione Eyre talks to an irascible Paolo Sorrentino about therapy, Vesuvius and why he kept things simple and easy for his latest film
High resolution
Jimmy Chin is part Bear Grylls, part David Attenborough: he both climbs snow, ice and rock and films other mountaineers doing it too, writes Theo Zenou
The Guinea Pig club
Lloyd Evans on a musical that tells the story of the pioneering maverick whose methods for treating disfigured second world war airmen revolutionised plastic surgery
Putting on the glitz
From quartz to quince: Daisy Dunn on the art and science of Fabergé
Modern master
Gossipy, amusing, a little vain, Albrecht Dürer was a 16th-century Andy Warhol, says Martin Gayford
‘Having the right answer is boring’
Graeme Thomson talks to the cult singer Joan Wasser about the robotic nature of pop, finding salvation in songwriting and Tony Allen
