Turner
Stories of the Sussex Downs
Focusing on a 20-mile square of West Sussex, Alexandra Harris explores its rich history, from the wreck of a Viking longboat to a refuge for French Resistance agents
Watcher of the skies: John Constable, painter and meteorologist
Philip Hensher describes how John Constable’s energy and imagination freed British art from the constraints of the past
Tsunami of piffle: Rockets and Blue Lights at the Dorfman Theatre reviewed
Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes…
From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages
The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby
Why did Mrs Lowry hate her son’s paintings?
‘I often wonder what artists are for nowadays, what with photography and a thousand and one processes by which you…
Why has British art had such a fascination with fire?
‘Playing God is indeed playing with fire,’ observed Ronald Dworkin. ‘But that is what we mortals have done since Prometheus,…
What makes British art British?
There’s no avoiding the Britishness of British art. It hits me every time I walk outside and see dappled trees…
The glorious history of Chatham Dockyard, as told through the eyes of artists
‘Ding, Clash, Dong, BANG, Boom, Rattle, Clash, BANG, Clink, BANG, Dong, BANG, Clatter, BANG BANG BANG!’ is how Charles Dickens…
Whole worlds are conjured up in a few strokes: Watercolour at the Fitzwilliam Museum reviewed
I learnt to splash about in watercolour at my grandmother’s knee. Or rather, sitting beside her crouched over a pad…
James Turrell interview: ‘I sell blue sky and coloured air’
Martin Gayford talks to the artist James Turrell, who has lit up Houghton Hall like a baroque firework display
We must never again let this 19th century Norwegian master slip into oblivion
You won’t have heard of Peder Balke. Yet this long-neglected painter from 19th-century Norway is now the subject of a…
Mr Turner: the gruntiest, snortiest, huffiest film of the year - and the most beautiful too
Mr Turner may be the gruntiest film of the year, possibly the gruntiest film ever. ‘Grunt, grunt, grunt,’ goes Mr…
Mike Leigh interview: 'A guy in the Guardian wants to sue me for defamation of Ruskin!'
Hermione Eyre talks to filmmaker Mike Leigh about Mr Turner, Hollywood, and making films his own way
Curator-driven ambitions mar this Constable show at the V&A
The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…
Tate Britain’s Turner show reveals an old master - though the Spectator didn’t think so at the time
Juvenilia is the work produced during an artist’s youth. It would seem logical to think, therefore, that an artist’s output…
The age of the starving artist
Philip Hensher on the precarious fortunes of even the most gifted 19th-century artists
There are too few masterpieces in Masterpieces: Art and East Anglia
Andrew Lambirth on the Sainsbury Centre’s latest exhibition
'Squiggle, squiggle, ooh, good...' Tate St Ives shows how sexy the octopus can be
One of the more exotic attractions at the 1939–40 World’s Fair in New York was Salvador Dalí’s ‘Dream of Venus…
