‘I often wonder what artists are for nowadays, what with photography and a thousand and one processes by which you can get representation,’ L.S. Lowry muses in Robert Tyrrell’s 1971 documentary. ‘They’re totally unuseful. Can’t see any use in one. Can you?’
I can: as fodder for biopics. Cinemato-graphers have always been inspired by painting, but the appeal of the artist’s biopic lies less in the representation than the lifestyle: mainly the sex.
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