Shakespeare
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
So good and so raw that avoiding it might be the wisest course: Sea Wall reviewed
Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been…
The best Macbeths to watch online
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…
The National Theatre’s live-streaming policy is bizarre
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony…
The best theatre of the 21st century
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists…
I've lost patience with podcasts and their presenters
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
His son’s death may have inspired some of Shakespeare’s greatest lines, but he never recovered from the loss
Maggie O’Farrell is much possessed by death. Her first novel, After You’d Gone (2000), chronicled the inner life of a…
Michael Morpurgo: Kale smoothies, writing, Pilates – my strict isolation schedule
Writers like me are used to long hours alone. I’ve never enjoyed that side of it. I don’t like the…
War and plague have menaced theatres before, but rarely on this scale
War and plague have menaced theatres before, but rarely on this scale, says Lloyd Evans
Comedy gold: The Upstart Crow at the Gielgud Theatre reviewed
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
People expecting punishment won’t be disappointed: Almeida’s Duchess of Malfi reviewed
The Duchess of Malfi is one of those classics that everyone knows by name but not many have witnessed on…
All the world’s a stage: this election has echoes of Shakespeare and Dickens
The Christmas election has unfolded like a series of mini-dramas from panto, Dickens and other popular classics. Boris has come…
‘The only place I can’t get my plays on is Britain’: Sir Peter Brook interviewed
‘Everyone of us knows we deserve to be punished,’ says the frail old man before me in a hotel café.…
When did English A-level become a science?
Now that my youngest has got her A-level grades, I’m finally free to say just how much I have loathed…
The charm – and artifice – of the English cottage garden
The confusion is understandable. You arrive at Anne Hathaway’s Cottage in Stratford-upon-Avon, keen to experience the quintessential cottage garden —…
Star-crossed lovers: Sweet Sorrow, by David Nicholls, reviewed
The 16-year-old hero of David Nicholls’s fifth novel is ostensibly Everyboy. It is June 1997, the last day at dreary…
From bibliomania to kleptomania: the serious crimes of book lovers
In the spring of 1998, Rolling Stones fans in Germany were disappointed to hear that the band had been forced…
Willy Loman would have been fine if he’d worked in a laundry: Death of a Salesman reviewed
Colour-blind casting is a denial of history. The Young Vic’s all-black version of Death of a Salesman asks us to…
Why were the Victorians so obsessed with the moon?
In Shakespeare’s A Midsummer Night’s Dream, a group of slightly ramshackle workmen decide to put on a play. The play…
A masterclass of menace and magnificence: Romeo and Juliet reviewed
Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…
Shakespeare on the beach: Oh I Do Like to Be…, by Marie Phillips, reviewed
The phrase ‘Shakespeare comedy’ is an oxymoron with a long pedigree, one which perhaps stretches back to the late 16th…
A masterpiece of pro-Trump propaganda: Sweat at the Donmar Warehouse reviewed
Sweat, set in the Pennsylvanian rust belt, looks at a blue-collar community threatened by a factory closure. The script uses…
One of the finest productions I’ve seen at the Globe – a triumph of crony casting: Macbeth reviewed
Michelle Terry, chatelaine of the Globe, wants to put an end to penis-led Shakespeare by casting women in roles intended…
Women should boycott David Hare’s slanderous new play: I’m Not Running reviewed
Sir David Hare’s weird new play sets out to chronicle the history of the Labour movement from 1996 to the…