Pop
The sound of pop eating itself and throwing up: A.G. Cook’s Apple reviewed
Grade: A The future, then. The sound of pop eating itself, throwing up into a bag and then getting a…
More mimsy soft rock from Cat Stevens: Tea for the Tillerman 2 reviewed
Grade: B– Time has been kind to Cat Stevens’s reputation — his estrangement from the music business and rad BAME…
Virtuosic but slight – always prog’s problem: The Pineapple Thief's latest reviewed
Grade: B– Of all the various subdivisions in that wheezing and crippled phenomenon that we call rock music, prog has…
There's scarcely a dull track: Deep Purple's Whoosh! reviewed
Grade: B+ Less deep purple than a pleasant mauve. Ageing headbangers will note a lack of the freneticism that distinguished…
'Cocaine addiction is time-consuming': the rise and fall of Kevin Rowland and Dexys
Michael Hann talks to Kevin Rowland about Dexys, insecurity and the cocaine years
The people who were idiots at gigs in early March are still idiots
Is the world ready for the return of live rock music? On the evidence of the first gig in London…
The problem with livestreaming heavy metal? No moshpits
There was only so long anyone could put up with the live musical performances of the early days of lockdown:…
Ranges from the slight to the first-rate: Neil Young’s Homegrown reviewed
Grade: B+ Neil Young has been mining his own past very profitably for a long time now, disinterring a seemingly…
Dysfunctional music for dysfunctional people: The Public Image is Rotten reviewed
A star is born, but instead of emerging into the world beaming for the cameras, he spits and snarls and…
The festivalisation of TV
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
Contains the loveliest new song I've heard in decades: Bob Dylan's new album reviewed
Grade: A ‘Rough’ in terms of the mostly spoken vocals, but only ‘rowdy’ if you’re approaching your 80th birthday, which…
In defence of Prince’s late style
In 1992 Prince released a single called ‘My Name Is Prince’. On first hearing it seemed appropriately regal. Cocky, even.…
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
The power of cheap music: pop podcast round-up
Noël Coward was so right that his words have become a cliché: it is indeed extraordinary how potent cheap music…
The problem with mystery podcasts like Wind of Change
Did the US secretly write a power ballad in order to bring down the Soviet Union? That’s the question behind…
Skates on the edge of parody: The 1975's Notes on a Conditional Form reviewed
Grade: B+ Just what you wanted. An opening track that matches banal piano noodling to an address by Greta Thunberg.…
Joyous and very, very funny: Beastie Boys Story reviewed
The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on…
Beautiful voice, pretentious album: Fiona Apple’s Fetch the Bolt Cutters reviewed
Grade: C+ Where did they all come from, the quirky yet meaningful rock chicks who don’t have a decent song…
Livestream-hopping is just as irritating as being at a real festival
The ghost of Samuel Beckett oversaw the Hip Hop Loves NY livestream last Thursday night. Time and time again its…
Felt longer than the lockdown itself: BBC1's One World – Together At Home reviewed
You have to admire the spirit of the organisers of last weekend’s One World: Together at Home concert. To put…
The musical benefits of not playing live
Many performers hated playing live. But freed from the stage they often made their best and wildest work, argues Graeme Thomson
Taylor Swift is fascinating – but you really wouldn't want to be her
There had been some question about whether Taylor Swift’s Netflix special would actually appear. Last year it seemed that the…
Grimly compelling: The Whitney Houston Hologram Tour reviewed
‘No matter what they take from me,’ sang Whitney Houston towards the end of a peculiar evening in Hammersmith, ‘they…
The last great purveyors of a vanishing art form: Green Day’s Fathers of All... reviewed
Grade: B+ It is an eternal mystery to me why Britain has never had much time for power pop, seeing…
Grimes has talent – but not for writing songs: Miss Anthropocene reviewed
Grade: B The old axiom no longer applies. In modern popular music, it is possible not only to gild a…
