Pop
The court music of the ruling class
It would be difficult to do certain shows in the courtyard of Somerset House. One can’t really host anything too…
The Trainspotting musical is made for cruise ships
Plenty of critics have mocked Trainspotting – the musical (with lyrics and music by Irvine Welsh and Stephen McGuinness, respectively)…
Is this really the best Charli XCX can do?
Of the three creative pursuits that give Charli XCX’s eighth album its title, the English pop star seems least interested…
Confessions II gets thrillingly close to vintage Madonna
There comes a point in the career of any established artist when looking backwards seems to be the only possible…
The slipperiness of Harry Styles
For the first time at a gig, I spent much of Harry Styles’s show thinking about the maths. He’s cunningly…
Meet the last original punk still playing punk
It’s 50 years since an assortment of scruffy youths from the leafy suburb of Bromley, the grimy streets of Finsbury…
The liberating delights of Aldous Harding
The first thing I did after getting home from the Barbican the other week was google ‘Aldous Harding neurodivergent’. It…
None of McCartney’s new songs will trouble his setlist for long
On 30 May 1966, the Beatles released ‘Paperback Writer’ – a fortnight after ‘Paint It Black’ by the Rolling Stones…
Joy and melancholy from Tame Impala
About 15 years ago, I spoke to a relatively unknown neo-psychedelic musician from Western Australia called Kevin Parker. It was…
Rosalia’s O2 show was a landmark concert
If Olivia Dean is the girl next door, Rosalia is the girl next planet. Their shows in successive weeks at…
How good are the Rolling Stones’ alter egos, the Cockroaches?
Would you pay a tenner on the door to see the Cockroaches, the Fireman, Patchwork, the Network and Bingo Hand…
The joy of Belle and Sebastian
Do Belle and Sebastian have the most polite audience in pop? Normally when a pop singer leaves the stage to…
Don’t blame Kanye for his abject idiocy
Grade: C– Kanye? No, I can’t, quite. I will always quietly overlook the idiotic political sensibilities of the conformist millennial…
Unrelentingly entertaining: Basement Jaxx reviewed
How would you like your nostalgia served, sir (and it is usually ‘sir’): in mist-shrouded monochrome or crazed lysergic Technicolor?…
Self Esteem is the star of this David Hare musical
Teeth ’ n’ Smiles is not quite a musical. David Hare’s 1975 play about rock’n’roll includes a handful of tunes…
Anthemic angst from The Twilight Sad
The only thing misery loves more than company is a backbeat. While capturing pure happiness surely remains the Holy Grail…
The alluring mess of CMAT
The last time I saw CMAT – Ciara Mary-Alice Thompson – was in the middle of a grey afternoon at…
David Byrne has done it again
The title of David Byrne’s most recent album and current tour is Who Is The Sky?. The phrase works two…
Morrissey is pop’s prophet of England
Morrissey is back. And he’s sassy as hell. At the O2 on Saturday night, the once-waifish Smiths frontman turned stocky…
U2’s childlike response to world affairs
Whither the protest song in 2026? In January 1970, John Lennon wrote and recorded ‘Instant Karma!’ in a single day…
Fascinating: EPiC – Elvis Presley in Concert reviewed
EPiC: Elvis Presley In Concert is a concert documentary that grew out of the 65 boxes of unseen Las Vegas…
Electrifying: Annie & the Caldwells, at Ronnie Scott’s, reviewed
Annie & the Caldwells are a long-running family gospel ensemble from West Point, Mississippi – father and sons playing guitar,…
Who stuck the great Emmylou Harris in a sports hall?
Somebody obviously thought it a good idea that Emmylou Harris play her last ever Scottish show in a soulless sports…






























