Pop
No band should play Ally Pally
The last time Gillian Welch and David Rawlings played in London it was a different world: the world of David…
The new Springsteen biopic is cringe
Springsteen: Deliver Me from Nowhere is a biopic of ‘the boss’ starring Jeremy Allen White. It is not cradle to…
Fionn Regan has gone method Worzel Gummidge
Watching the Mercury Music Prize on television last week, I remembered that Fionn Regan’s debut album, The End Of History,…
In defence of Mick Hucknall
Before Simply Red came on stage at the Greenwich peninsula’s enormodome, the screens showed a clip of a very young…
Has Taylor Swift been reading The Spectator?
The Last Dinner Party received quite the critical backlash when they arrived amid much fanfare in 2023. Posh, precocious and…
Like Gabor Mate set to club beats: Lady Gaga, at the O2, reviewed
Lady Gaga’s show was to begin at 7.30 prompt, we were told. No opening act. And at 7.30 something did…
Uplift from an odd couple: James Yorkston & Nina Persson reviewed
Let’s hear it for the odd couples of popular music: Bowie and Bing. Shaggy and Sting. Metallica and Lou Reed.…
Kate Moss’s new Bowie podcast is far too safe
In January, it will be ten years since David Bowie died. I remember Bowie songs playing out of every London…
Suede turn their fine new record to mush at the Southbank
I think a lot about Wishbone Ash. A disproportionate amount. Partly because I have had to listen to them for…
Britain’s loveliest, most thoughtful festival
The last weekend of August is my favourite of the year. That’s when I pootle down to Cranborne Chase to…
‘Modern pop makes me want to kill myself’: Neil Hannon interviewed
Search for a successor to Tom Lehrer, and you’ll be hard pressed to find any decent candidates. One of the …
The Seeds are primitive but magnificent
Plus: am I the only person who finds M.J. Lenderman’s voice whiny?
Ultimately hard to resist: Elbow reviewed
Our relationships with bands are often very like our relationships with people. Some are pure and lasting love. Some start…
How the railways shaped modern culture
Cue track seven of Frank Sinatra’s 1957 album Only the Lonely and you can hear Ol’ Blue Eyes pretending to…
The terrifying charisma of Liam Gallagher
You’d have thought Wembley Stadium was a sportswear convention, so ubiquitous were the three stripes down people’s arms from all…
Why I don’t get the blues
The Louisiana bluesman Buddy Guy is releasing a new album this week. It is called Ain’t Done With The Blues…
Irritatingly, Wet Leg’s new album is pretty good
Grade: B+ There’s quite a lot to dislike about Wet Leg, even aside from their stupid name. The entirety of…
Magnificent: Stevie Wonder at BST Hyde Park reviewed
The highs of Stevie Wonder’s Hyde Park show were magnificently high. The vast band were fully clicked into that syncopated,…
No amount of discourse will make a good pop song into a great one
There is no higher calling than making great pop music, and no mechanism by which such an achievement can be…
The political climate at Glastonbury was not especially febrile
Everyone who wasn’t at Glastonbury this year knows exactly what it was like: a seething mass of hatred and rabid…
Dua Lipa sparkles at Wembley – but her new album is pedestrian
If, as is said, there are only seven basic narratives in human storytelling, then there should be an addendum. In…
Jarvis Cocker still has the voice – and the moves
For bands of a certain vintage, the art of keeping the show on the road involves a tightly choreographed dance…
The charm of Robbie Williams
What could it possibly feel like to be a sportsperson who gets the yips? To wake up one morning and…
Compelling: Little Simz’s Lotus reviewed
It is not uncommon for (predominantly male) music critics to invert the ‘great man/great woman’ dictum in order to suggest…
A lovely album: Saint Leonard’s The Golden Hour reviewed
Grade: A+ The kids with their synths and hip producers, dragging the 1980s back: I wish they would stop. It…
