Opera
Deluded divas
Were Florence Foster Jenkins and her fellow culprits touchingly heroic, cynically fraudulent or just plain bonkers? Rupert Christiansen reports
Bell canto
Cursed, or perhaps blessed, with almost no visual memory at all, I had almost completely forgotten what the Royal Opera’s…
Striking the wrong note
Before we turn our attention to Florence Foster Jenkins — but if you can’t wait, it’s so-so — I feel…
Sound and vision
Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the…
Whose opera is it anyway?
Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action.…
There will be blood
Lucia di Lammermoor is one of the two or three Donizetti operas that have never fallen out of the repertoire,…
Comic relief
Comic opera is no laughing matter. Seriously, when was the last time you laughed out loud in the opera house?…
Modernist cul-de-sac
The intransigence of Maxwell Davies, Boulez and Stockhausen is coming home to roost. Here were three composers, famous if not…
Love at first sight
Now the kids are back for the school holidays, I have a licence to watch complete trash again. No more…
Original sin
The Royal Opera has bitten the bullet so far as Musorgsky’s Boris Godunov goes, and opted to stage the original…
Round-up of new opera
A mixed year so far for new opera. A few really dismal things have appeared from people who should know…
Excess baggage
Near the end of Elena Langer’s new opera Figaro Gets a Divorce, as the Almaviva household — now emigrés in…
What’s love got to do with it?
The setting for Il tabarro, the first drama in Puccini’s 1918 triptych of one-act operas, is not the Paris of…
ENO must go…
Last week Darren Henley, chief executive of Arts Council England, revealed that opera receives just under a fifth of the…
…Long live ENO!
The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…
Not a pretty sight
‘Forget Downton Abbey!’ exhorts David Pountney in the programme for Figaro Forever, Welsh National Opera’s season of Beaumarchais operas, The…
Mozart magic
Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…
Straight talking
It’s widely agreed that the most difficult form of opera to bring off is operetta, whether of the Austro-German or…
Northern lights
Opera North continues to be the most reliable, inspiring, resourceful and enterprising opera company in the United Kingdom, and all…
In two minds
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
Double trouble
It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…
Royal Opera’s Cavalleria rusticana isn’t nearly vulgar enough
How often do you get a chance to see two operas by Leoncavallo in the same city in the same…
Lost in translation
About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…
Has there ever been a better time to be a lover of Baroque opera?
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
All at sea
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
