<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Opera

Shattering - despite the lack of staging: Czech Phil’s Jenufa reviewed

Janacek’s operas are unique and uniquely great – but only a full sensitive staging will get this across. This fine Royal Festival Hall performance did not do this

30 April 2016

9:00 AM

30 April 2016

9:00 AM

Jenufa

Royal Festival Hall

Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the wonderful Czech Philharmonic Orchestra conducted by Jiri Belohlavek, the Czech Philharmonic Choir Brno, a large body that had all of five minutes’ singing, and a mainly excellent cast, with Karita Mattila making her transition from the title role, which she has so often performed to powerful effect, to that of the Kostelnicka, the terrifying figure of rectitude who drowns her daughter-in-law’s illegitimate baby rather than bring disgrace on the family.

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close