Longborough Festival Opera
Brave and beautiful: Longborough’s Pelléas et Mélisande reviewed
King Arkel, in Debussy’s Pelléas et Mélisande, is almost blind, and he rules over a kingdom of darkness. Debussy’s score…
Summer opera festivals have gone Wagner mad
Another week, another Wagner production at a summer opera festival. This never used to happen. When John Christie launched Glyndebourne…
Thrilling: Garsington’s Queen of Spades reviewed
Tchaikovsky’s The Queen of Spades is one of those operas that under-promises on paper but over-delivers on stage. It’s hard…
The opera that wouldn’t die
Richard Bratby on the resurrection of wunderkind Erich Korngold’s long-neglected masterpiece
There’s no better sonic hangover cure: New Year’s Day Concert reviewed
The best moment in the Vienna Philharmonic’s annual New Year’s Day Concert comes after the end of the advertised programme.…
The miracle of Longborough – the company that broke the mould for summer opera
At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink…
Thrilling energy & humour from Longborough Festival Opera: Ariadne auf Naxos reviewed
‘They’ve dined well, they’ve drunk their fill, their brains are dull and slow. They’ll sit snoozing in the dark until…
Longborough continues to be a refuge for British Wagnerians fleeing idiotic productions
Longborough Festival Opera, refuge for British Wagnerians fleeing unidiomatic musical performances and idiotically irrelevant and insulting productions, has rounded off…
New kid on the block
The new Grange Park Opera at Horsley is amazing, as everyone who visits it must agree. In less than a…
The finest Tristan since Siegfried Jerusalem
Which of Wagner’s mature dramas is the most challenging, for performers and spectators? The one you’re seeing at the moment,…
