Exhibitions
Surreal jokes and juicy strokes: Martin Gayford on the power of paint
René Magritte was fond of jokes. There are several in René Magritte (Or: The Rule of Metaphor), a small but…
Peak Picasso: how the half-man half-monster reached his creative – and carnal – zenith
By 1930, Pablo Picasso, nearing 50, was as rich as Croesus. He was the occupant of a flat and studio…
Magnificent paintings – oddly curated: All Too Human reviewed
In the mid-1940s, Frank Auerbach remarked, the arbiters of taste had decided what was going to happen in British art:…
The strangely unique vision of Leonard Rosoman
Leonard Rosoman is not a well-known artist these days. Many of us will, however, be subliminally familiar with his mural…
Edison decried the electric recording as a mere ‘volume fad’
Listen closely, among the shelves of the last remaining music shops, in student dorm rooms and amid the flat whites…
The captivating art, science and politics of hair: Beehives, Bobs and Blow-dries reviewed
One of the best things about Beehives, Bobs and Blow-dries — yep, an exhibition about hairdressing — is the reaction…
Are cruise liners the solution to the housing crisis?
Looking at the sketchbook of William Whitelock Lloyd, a soldier-artist who joined a P&O liner after surviving the Anglo-Zulu War,…
Lemons and pebbles are as important to Kettle’s Yard as the art
When I first visited Kettle’s Yard, Cambridge, I was shown around by Jim Ede, its founder and creator. This wasn’t…
Gursky’s subject is humanity: prosaic, mundane, extremely messy His colossal, panoramic pictures are brilliant and lowering at the same time
Walking around the Andreas Gursky exhibition at the Hayward Gallery, I struggled to recall what these huge photographs reminded me…
A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed
Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…
Ferrari – heavy, expensive, wasteful, dangerous and addictive
Has a more beautiful machine in all of mankind’s fretful material endeavours ever been made than a ’60 Ferrari 250…
Turning marble into cushions and stone into flesh: the magic of Gian Lorenzo Bernini
Seventeenth-century Roman art at its fullblown, operatic peak often proves too rich for puritanical northern tastes. And no artist was…
What can we learn from Jeremy Bentham’s pickled head?
Under the central dome of UCL — an indoor crossroads where hordes of students come and go on their way…
The time is right for an Erté revival – a new hero for our gender-anxious times
Erté was destined for the imperial navy. Failing that, the army. His father and uncle had been navy men. There…
A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed
Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…
Is May Morris a feminist cause – a woman of genius unfairly overlooked?
You may think you don’t know May Morris, daughter of William, but you’ll probably have come across her wallpaper. Her…
The forgotten history of the Tube’s ‘poster girls’
Every weekday, I travel by Tube to The Spectator’s office, staring at the posters plastered all over the walls. I…
The art of persuasion
It’s hard to admire communist art with an entirely clear conscience. The centenary of the October revolution, which falls this…
The old ways
I’m sitting across a café table from a young man with a sheaf of drawings that have an archive look…
London calling
Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…
It’s the thought that counts
During a panel discussion in 1949, Frank Lloyd Wright made an undiplomatic comment about Marcel Duchamp’s celebrated picture of 1912,…
Raw materials
‘Art by its very essence is of the new… There is only one healthy diet for artistic creation: permanent revolution.’…
Cabbages and kings
The first pastry cook Chaïm Soutine painted came out like a collapsed soufflé. The sitter for ‘The Pastry Cook’ (c.1919)…
I spy
Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…
The icemen cometh
You wouldn’t want to stumble upon the Scythians. Armed with battle-axes, bows and daggers, and covered in fearsome tattoos, the…
