Exhibitions
How the pixel became a key feature of drone warfare
I hadn’t really thought much about pixels before, despite spending a large portion of my day looking at them. After…
Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed
One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…
What is it about Bill Viola’s films that reduce grown-ups to tears?
What is it about Bill Viola's films that reduce grown-ups to tears? William Cook dries his eyes and talks to the video artist about Zen, loss and nearly drowning
Why did Goya’s sitters put up with his brutal honesty?
Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…
Edmund de Waal’s diary: Selling nothing, and why writers need ping-pong
On the top landing of the Royal Academy is the Sackler Sculpture Corridor, a long stony shelf of torsos of…
The British Museum's Celtic masterpieces aren't Celtic - but they are fabulous
‘Celtic’ is a word heavily charged with meanings. It refers, among other phenomena, to a football club, a group of…
How silverpoint revolutionised art
Marshall McLuhan got it at least half right. The medium may not always be the entire message, but it certainly…
The only art is Essex
When I went to visit Edward Bawden he vigorously denied that there were any modern painters in Essex. That may…
Richard Long interview: ‘I was always an artist, even when I was two years old’
William Cook explores the elemental art and Olympian walks of Richard Long
The forgotten Swiss portraitist and his extraordinary pastels: Jean-Etienne Liotard at the Scottish National Gallery reviewed
This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…
Whole worlds are conjured up in a few strokes: Watercolour at the Fitzwilliam Museum reviewed
I learnt to splash about in watercolour at my grandmother’s knee. Or rather, sitting beside her crouched over a pad…
The artist who only turned into a major painter once he became a homicidal maniac
Charles Dickens’s description of Cobham Park, Kent, in The Pickwick Papers makes it seem a perfect English landscape. Among its…
Forget Vienna - Britain now has its own chamber of curiosities at the British Museum
Art is not jewellery. Its value does not reside in the price of the materials from which it is made.…
Poetic or pretentious? Joseph Cornell: Wanderlust at the Royal Academy reviewed
Someone once asked Joseph Cornell who was his favourite abstract artist of his time. It was a perfectly reasonable question…
The artist who turned the Hayward Gallery into Disney World
Gianlorenzo Bernini stressed the difficulty of making a sculpture of a person out of a white material such as marble.…
James Turrell interview: ‘I sell blue sky and coloured air’
Martin Gayford talks to the artist James Turrell, who has lit up Houghton Hall like a baroque firework display
Royal Academy’s Summer Exhibition reviewed: a jumble sale with pizzazz
The Royal Academy Summer Exhibition has very little in common with the Venice Biennale. However they do share one characteristic.…
Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale
Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale
Modernism lite? Modigliani at the Estorick Collection reviewed
The British painter Nina Hamnett recalled that Modigliani had a very large, very untidy studio. Dangling from the end of…
Henri Gaudier-Brzeska at Kettle's Yard reviewed: he's got rhythm
One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk…
Luxury isn’t the opposite of poverty but the opposite of vulgarity - but don’t tell the V&A
Different concepts of luxury may be inferred from a comparison of the wedding feast of Charles Bovary and Emma Rouault…
‘This stuff goes on being alive’: Maggi Hambling on the power of painting
Maggi Hambling on Rembrandt, Twombly and the power of art
Better than Robert? Sonia Delaunay at Tate Modern reviewed
In 1978, shortly before she died, the artist Sonia Delaunay was asked in an interview whether she considered herself a…
Irresistible: Ravilious at the Dulwich Picture Gallery reviewed
The most unusual picture in the exhibition of work by Eric Ravilious at Dulwich Picture Gallery, in terms of subject-matter…
Reimaging the lost masterpieces of antiquity
Martin Gayford visits two new surveys of Greek and Roman sculpture at the British Museum and Palazzo Strozzi. Reimagining what’s lost is as much of an inspiration as what remains
