Comedy
Why do I find sketch shows – even the better ones – so embarrassing and charmless?
On sketch shows, the wisdom once was that you needed a punchline. That is, a slightly hammy, summative sign-off to…
Quietly devastating: Nowhere Special reviewed
Not one, but two British films this week, one that’s only being screened at the cinema (if you’re brave enough)…
What a comic treat: The Game of Love and Chance at the Arcola reviewed
Lady Sylvia is a gorgeous aristocrat whose hand is sought by the charming Dorante whom she has never met. To…
The rise of the super pessimist
Covid isn’t the only thing to have developed a dangerous strain in the UK; pessimism has also mutated and is…
Actors will be in trouble if the Bridge Theatre's latest experiment catches on
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A…
A romcom with very little com: BBC1’s Black Narcissus reviewed
In Black Narcissus, based on the novel by Rumer Godden, five nuns set off for a remote Himalayan palace in…
Deserves to be a permanent winter fixture: Potted Panto at the Garrick reviewed
Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague,…
Buttercup the cow was so convincing I felt quite moved: Jack and the Beanstalk reviewed
This pantomime was filmed by ‘legendary Blue Peter presenter’ Peter Duncan in his back garden over the summer. It was…
How the green-ink brigade is destroying the arts
I’m often asked why Channel 4 recently banned an episode of my show The IT Crowd because of ‘transphobia’. I…
The Trump presidency’s funniest moments
Is it too early to wax nostalgic about the hilarity of the Trump years? Could Trump somehow — somehow —…
Who's laughing now? Cancel culture is killing comedy
The BBC and Channel 4 are self-censoring their comedy output because they are so terrified of offending people. So says…
Has Spitting Image ever been funny?
Thank you, Spitting Image, for the nostalgia trip! Your new series on BritBox has rekindled with almost Proustian fidelity those…
Enough plotlines to power several seasons of The West Wing: BBC1's Roadkill reviewed
Like many a political thriller before it, BBC1’s Roadkill began with a politician emerging into the daylight to face a…
Funny, tender and properly horrible: Channel 4’s Adult Material reviewed
A woman is eating a pie in her car as it gets an automatic wash. Careful to keep the pie…
The most important book on black Britishness has one flaw: its author was white
Can people of one race really understand the experience of another? asks Colin Grant
Would be much better without Bill or Ted: Bill & Ted Face the Music reviewed
I think I am supposed to say that Bill & Ted Face the Music, the third in a franchise about…
Edinburgh Festival is in ruins – but there's one gem amid the rubble
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The…
The New Normal Festival shows how theatre could return
So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first…
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
The bluff and bluster of Boris’s bland boy Brexiteers
From the balcony where I take my daily exercise there is a view of the commercial centre of London that…
Not nul points but it’s no Spinal Tap: Eurovision Song Contest – The Story of Fire Saga reviewed
This comedy stars Will Ferrell and Rachel McAdams as an Icelandic duo whose biggest dream is to represent their country…
Not merely funny but somehow also joyous: Sky One's Brassic reviewed
Danny Brocklehurst, the scriptwriter for Sky One’s Brassic, used to work for Shameless in its glory days — although if…
Worth watching for the comments thread alone: NT's Twelfth Night livestream reviewed
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive…