Comedy
If you are of a certain age, you’ll really enjoy Tina Fey’s The Four Seasons
The Four Seasons is one of those shows you notice in the ‘Top TV Programmes on Netflix’ section, see it’s…
Those behind this fabulous new comedy are destined for big things
Rhinoceros by Eugene Ionesco is a period piece from 1959. It opens with the invasion of a French village by…
Surprisingly good: Amazon Prime’s Last One Laughing reviewed
‘What will it take to make Richard Ayoade laugh?’ If you find this question about as enticing as ‘Whose turn…
A treat for nostalgic wrinklies: Punk Off!, at the Dominion Theatre, reviewed
Punk rock, packaged, parcelled, and boxed up as a treat for nostalgic wrinklies. That’s the deal with Punk Off!, a…
The White Lotus is off to a shaky start
The White Lotus, now back for a third series, could perhaps be best described as Death in Paradise for posh…
Stately, sly and well-mannered: BBC1’s Miss Austen reviewed
It is a truth universally acknowledged that lazy journalists begin every piece about Jane Austen with the words ‘It is…
The next best thing to visiting a really clever friend in New York
Vivian Gornick’s memoir of life in the city in the 1960s and 1970s is rich in anecdote and dialogues with waspish friends and neighbours
‘Was I cast because you couldn’t get anyone else?’ Cate Blanchett discusses Rumours
At last, a film about the G7. There have been more movies than you can shake a stick at set…
Leavisites should stay away: Sky’s Bad Tidings reviewed
Reviewing Sky’s The Heist before Christmas last year, I suggested that all feature-length festive television dramas begin with credits announcing…
Have today’s TV dramatists completely given up on plausibility?
In advance, Ludwig sounded as if it was aimed squarely at the Inspector Morse market. Set among spires of impeccable…
Sick, cynical and irresistible: Netflix’s Kaos reviewed
Kaos is a new Netflix gods-and-monsters black-comedy blockbuster that will scorch your screen and fry your brain like a thunderbolt…
Rather in the lurch: Small Bomb at Dimperley, by Lissa Evans, reviewed
In 1945, a dilapidated Tudor manor risks being demolished – unless an impoverished evacuee with a gift for organisation can galvanise its despairing owner
The cast mistake screaming for comedy: Cockfosters, at Turbine Theatre, reviewed
The Turbine Theatre is a newish venue beneath the railway arches of Grosvenor Bridge in Battersea. The comfy auditorium is…
This Edinburgh Fringe comedian is headed for stardom
Dr Phil Hammond is a hilarious and wildly successful comedian whose career is built on the ruins of the NHS.…
Can video games be funny?
Grade: B+ Games can be exciting, puzzling, scary, competitive and – occasionally – moving. Can they be funny? Not often.…
Edinburgh has turned into a therapy session
Therapy seems to be the defining theme of this year’s Edinburgh festival. Many performers are saddled with personal demons or…
No laughing matter: The Material, by Camille Bordas, reviewed
A graduate course at the University of Chicago teaches stand-up to a group of aspiring young comedians. But the more you analyse humour, the less funny it becomes
Do men and women need different podcasts?
Do men and women need different podcasts? The notion goes against the unisex, every-sex, what-is-sex-anyway culture we have come to…
Utterly bog-standard: BBC2’s The Turkish Detective reviewed
A partly subtitled show set in Istanbul might sound like a brave departure for a BBC Sunday night crime drama.…
‘I want every production I do to be the funniest’: an interview with Cal McCrystal
There are certain things that you don’t expect at the opera. Laughter, for example. Proper laughter, that is; not the…
An exclusive look at Graham Linehan’s Father Ted musical
The tree-lined streets of Rotherhithe are an odd place to unveil a West End musical. But this is a suitably…
Fawlty Towers – The Play is the best museum piece you’ll ever see
Fawlty Towers at the Apollo may be the best museum piece you’ll ever see. A full-length play has been carved…
Player Kings proves that Shakespeare can be funny
Play-goers, beware. Director Robert Icke is back in town, and that means a turgid four-hour revival of a heavyweight classic…
