Arts
Sumptuous and saucy: Compton Verney's virtual tour of their Cranach show
‘Naughty little nudes,’ my history of art teacher used to say of Cranach’s Eves and Venuses. Aren’t they just? Coquettish…
Riveting – and disgusting: BFI's 'Dogs v Cats' and 'Eating In' collections reviewed
This week I’d like to point you in the direction of the British Film Institute and its free online archive…
Not merely funny but somehow also joyous: Sky One's Brassic reviewed
Danny Brocklehurst, the scriptwriter for Sky One’s Brassic, used to work for Shameless in its glory days — although if…
No one understood the ennui of lockdown better than Louis XIV and his courtiers
A few years ago I interviewed an eminent baroque conductor. Prickly and professorial, tired after a day of rehearsals, he…
How Tom Stoppard foretold what we’re living through
A TV play by Tom Stoppard, A Separate Peace, was broadcast live on Zoom last Saturday. I watched as my…
Beautiful voice, pretentious album: Fiona Apple’s Fetch the Bolt Cutters reviewed
Grade: C+ Where did they all come from, the quirky yet meaningful rock chicks who don’t have a decent song…
The unstoppable rise of television-rewatch podcasts
Talking Sopranos — a new weekly podcast which launched this month— is another example of a seemingly unstoppable sub-genre occupying…
William Boyd on the miraculous snaps of boy genius Jacques Henri Lartigue
William Boyd on the miraculous snaps of boy genius Jacques Henri Lartigue
Geraldine Brooks and Darleen Bungey
Major award-winning biographies of Arthur Boyd and John Olsen have preceded the third book by Darleen Bungey. It is less…
Livestream-hopping is just as irritating as being at a real festival
The ghost of Samuel Beckett oversaw the Hip Hop Loves NY livestream last Thursday night. Time and time again its…
Why we love requiems
Alexandra Coghlan on the enduring appeal of requiems
Superbly convincing: Unorthodox reviewed
When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local…
The importance of sadism in writing a great screenplay
How do you tell a great story? According to Craig Mazin, you have to be a sadist. ‘As a writer,…
Too much photocopying but stick with it: The Assistant reviewed
First, the latest digital film release: The Assistant, starring Julia Garner in a slowly, slowly, catchy, catchy tale that won’t…
Worth watching for the comments thread alone: NT's Twelfth Night livestream reviewed
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive…
It costs a lot of money to look this cheap: Metropolitan Opera’s At-Home Gala reviewed
Desperate times call for desperate measures. With the world’s opera houses currently dark, the New York Metropolitan Opera tackled the…
The artist who left no physical record of her work
While locked-down galleries compete to keep their artists in the public eye — or ear — by uploading interview podcasts,…
The Elgin Marbles
He grew up in Eastwood on Sydney’s Northern Line. Geoffrey Robertson’s brilliant career got off to a flying start with…
Michael Tanner remembers the greatest musical experience of his life
No surprise: the greatest musical experience of my life was Parsifal at Bayreuth in 1962. I thought at the time…
The best theatre of the 21st century
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists…
From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages
The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby
Felt longer than the lockdown itself: BBC1's One World – Together At Home reviewed
You have to admire the spirit of the organisers of last weekend’s One World: Together at Home concert. To put…
‘I think I’ve found a real paradise’: David Hockney interviewed
Martin Gayford talks to David Hockney about life in the Norman countryside under quarantine, how the iPad is better than paint and brush, and why he is not a communist
Top of my mustn’t see list: The Iron Mask reviewed
As all other publications are offering guides saying what to watch from home during this pandemic — ‘the 50 best…
I've lost patience with podcasts and their presenters
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
