Arts

The award-winning choreographer who fell foul of the mob

Rupert Christiansen 2 December 2023 9:00 am

Eye-batting nonchalance

Peter Craven 25 November 2023 9:00 am

What is it about the Egyptians that bewitches us? Ramses and the Gold of the Pharoahs opened at the Australian…

An awesome spectacle: The Mongol Khan, at the London Coliseum, reviewed

Rupert Christiansen 25 November 2023 9:00 am

Melodic elegance and literate sass: Ben Folds, at Usher Hall, reviewed

Graeme Thomson 25 November 2023 9:00 am

‘My show is like life and death to people’: meet TalkTV’s Mike Graham

Max Jeffery 25 November 2023 9:00 am

Rich, beautiful and vital: John Craxton, at Pallant House Gallery, reviewed

Michael Amherst 25 November 2023 9:00 am

A calculated insult to the viewer: Channel 4's The Princes in the Tower – The New Evidence reviewed

James Delingpole 25 November 2023 9:00 am

Magical: The Box of Delights, at Royal Shakespeare Theatre, reviewed

Richard Bratby 25 November 2023 9:00 am

Gloriously entertaining: Backstairs Billy, at the Duke of York's Theatre, reviewed

Lloyd Evans 25 November 2023 9:00 am

Can Italy reverse their falling birth rate?

Daisy Dunn 25 November 2023 9:00 am

A bit too short: Napoleon reviewed

Deborah Ross 25 November 2023 9:00 am

Our theatre critic applies to be director of the National Theatre

Lloyd Evans 25 November 2023 9:00 am

People of extraordinary glamour

Peter Craven 18 November 2023 9:00 am

A refreshing and humbling prospect, in a world where we sometimes imagine cultural coverage gets better, is to revisit the…

A farrago of Blakean mysticism and steampunk twaddle: BalletBoyz's England on Fire, at Sadler's Wells, reviewed

Rupert Christiansen 18 November 2023 9:00 am

The death of TV

Zoe Strimpel 18 November 2023 9:00 am

Raucous, expressive and laugh-out-loud funny: Nicole Eisenman, at the Whitechapel Gallery, reviewed

Laura Gascoigne 18 November 2023 9:00 am

Whodunnit that disappears down a rabbit-hole: ITV1's The Playboy Bunny Murder reviewed

James Walton 18 November 2023 9:00 am

Fearless and intoxicating: Saltburn reviewed

Deborah Ross 18 November 2023 9:00 am

Gig of the year: Ezra Collective, at the Royal Albert Hall, reviewed

Michael Hann 18 November 2023 9:00 am

Surprising flop from a top-class team: To Have and To Hold, at Hampstead Theatre, reviewed

Lloyd Evans 18 November 2023 9:00 am

Cliché, cynicism and a car-crash finale: Royal Opera's Jephtha reviewed

Richard Bratby 18 November 2023 9:00 am

The growing revolt against Arts Council England

Rosie Millard 18 November 2023 9:00 am

Character acting without the character

Peter Craven 11 November 2023 9:00 am

Miss Saigon may on the face of it seem like an odd choice of musical for Opera Australia to revive…

Has all the charisma of Chernobyl: Manchester’s Aviva Studios reviewed

Calvin Po 11 November 2023 9:00 am

There is a (possibly apocryphal) story about William Morris, where he spends most of his time in Paris inside the…

A rather beautiful farewell to rock'n'roll: The Beatles' 'Now and Then' reviewed

Rod Liddle 11 November 2023 9:00 am

« 1 … 41 42 43 44 45 46 47 48 49 … 299 »

Close