Arts
Stephen Fry is the perfect Lady Bracknell
Hamlet at the National opens like a John Lewis Christmas advert. Elegant celebrations are in progress. The stage is full…
This museum is a lesson for all curators
The National Railway Museum is 50 years old, and it’s come over all literary. A quote from Howards End stands…
I could watch Balanchine’s Theme and Variations on repeat
R:Evolution is a pun, presumably intended to suggest that tradition is not static and the obvious truth that change always…
Save art history!
A few weeks ago I went along to a lecture on the Welsh artist, poet and soldier David Jones. Kenneth…
Looming horror of the heart
What are we to make of dramatic classics and classics of music and dance? That very distinguished actor Bille Brown…
A dazzling musical celebration of the 1970s
Clarkston is an American-backed production featuring a Netflix star, Joe Locke. He plays a young graduate with a terminal illness,…
The best Turner Prize in years
So, the Turner Prize: where do we start? It’s Britain’s most prestigious art award, one that used to mean something…
Every line in the new Alan Partridge is perfect
By now, viewers of TV thrillers are no strangers to a baffling prologue – but this week brought a particularly…
The art of dining
Ivan Day pulls out an old Habsburg cookbook from his library. The 300-year-old volume is so thick it’s almost a…
Pure feelgood: ENO’s Cinderella reviewed
‘Goodness Triumphant’ is the alternative title of Rossini’s La Cenerentola, and you’d better believe he meant it. Possibly my reaction…
Propulsive, funny – and what a car chase: One Battle After Another reviewed
Is Paul Thomas Anderson’s latest as good as everyone is saying? That it has a run time of nearly three…
Like Gabor Mate set to club beats: Lady Gaga, at the O2, reviewed
Lady Gaga’s show was to begin at 7.30 prompt, we were told. No opening act. And at 7.30 something did…
High artistry and hilarity
It’s bizarre the level of sheer wastage in Ian Michael’s production of Troy. Yes, there’s a bit of hieratic glamour…
Was Serbia the real birthplace of the Renaissance?
Where did the Renaissance begin? There has been an official answer to that question since 1550, the date that Giorgio…
Emma Thompson is surprisingly convincing as the star of this action thriller
Dead of Winter is an action thriller starring Emma Thompson and you have to hand it to her. Has such…
Magnificent: V&A’s Marie Antoinette Style reviewed
This exhibition will be busy. You’ll shuffle behind fellow pilgrims. But it’ll be worthwhile. It’s a tour de force that…
Uplift from an odd couple: James Yorkston & Nina Persson reviewed
Let’s hear it for the odd couples of popular music: Bowie and Bing. Shaggy and Sting. Metallica and Lou Reed.…
An amazing piece of entertainment: Reunion, at the Kiln Theatre, reviewed
What a coincidence. Two plays running in London have the same storyline: an obsessed lover bursts into a family gathering…
Mr Bates this isn’t: The Hack reviewed
As we know, when terrestrial television has a big new hit these days, its response – once it’s got over…
Michael Keegan-Dolan’s How to be a Dancer is worthy of Flann O’Brien
Michael Keegan-Dolan’s show doesn’t even pretend to live up to the arresting proposition in its title – anyone hoping to…
Kate Moss’s new Bowie podcast is far too safe
In January, it will be ten years since David Bowie died. I remember Bowie songs playing out of every London…
Northern Ireland Opera have a hit: Follies reviewed
Never judge a musical by its score alone. Even more than with opera, the music is only ever half the…
Dazzling reverse-mirror farce
It was good to see that Vivien Gaston was lecturing about portraiture in the context of the travelling Archibald Prize…
No, Big Thief’s Double Infinity is not the greatest folk album ever
Grade: B- ‘I feel within myself a constant dialogue between my masculinity, my femininity and the part of me that…
R.S. Thomas – terrific poet, terrible husband
Love’s Moment is one of those quiet radio programmes you’re unlikely to have read about. It aired without fanfare at…
