Arts
Riveting and heart-wrenching: BBC1’s Time reviewed
‘Only with women’ is a phrase used by more cynical TV types for a show that takes something that’s been…
‘You cannot begin by calling me France’s most famous living artist!’: Sophie Calle interviewed
‘You cannot begin by calling me France’s most famous living artist!’ Thus Sophie Calle objected to the first line of…
Spellbinding performance of a career-defining record: Corinne Rae Bailey, at Ladbroke Hall, reviewed
You won’t see two more contrasting shows this year than Corinne Bailey Rae performing her album Black Rainbows and Brian…
The importance of lesbianism to British modernism: Double Weave, at Ditchling Museum, reviewed
The name of Ditchling used to be synonymous with Eric Gill, but since he was outed as an abuser of…
Outstanding and eye-opening doc about North Korea: Beyond Utopia review
The documentary Beyond Utopia follows various families as they attempt to flee North Korea. It is eye-opening and outstanding. In…
Comedy of the blackest kind: Boy Parts, at Soho Theatre, reviewed
There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s…
Real women do not behave like this: Lyonesse, at the Harold Pinter Theatre, reviewed
Lyonesse by Penelope Skinner takes a while to get going. The central character, Elaine, is a washed-up British actress (Kristin…
Can everyone please shut up about Maria Callas?
Rupert Christiansen on the cult of Callas
A naive friend
John le Carré was one of the more extraordinary popular writers of the last half-century (and more) and part of…
The miracle of watching a great string quartet perform
Joseph Haydn, it’s generally agreed, invented the string quartet. And having done so, he re-invented it: again and again. Take…
Basic, plodding and lacking any actual horror: Doctor Jekyll reviewed
Tis the season of horror, as it’s Halloween, which we celebrate in this house by turning off all the lights…
Surprisingly addictive and heartwarming: Netflix’s Beckham reviewed
If you’re not remotely interested in football or celebrity, I recommend Netflix’s four-part documentary series Beckham. Yes, I know it’s…
The case against re-recording albums
In 2012, Jeff Lynne released Mr Blue Sky: The Very Best of Electric Light Orchestra. Except it wasn’t. It was…
I’m not convinced Thomas Heatherwick is the best person to be discussing boring buildings
Architects are often snobby about – and no doubt jealous of – the designer Thomas Heatherwick, who isn’t an actual…
Why did this brilliant Irish artist fall off the radar?
Sir John Lavery has always had a place in Irish affections. His depiction of his wife, Hazel, as the mythical…
A Radio 3 doc that contains some of the best insults I’ve ever heard
A recent Sunday Feature on Radio 3 contained some of the best insults I have ever heard. Contributors to the…
If only Caryl Churchill’s plays were as thrillingly macabre as her debut
The first play by the pioneering feminist Caryl Churchill has been revived at the Jermyn Street Theatre. Owners, originally staged…
No one should trust the camera in the age of AI
Bryan Appleyard on photographic manipulation, past and present
Astonishing mistress of song & dance
The Newsreader has already caught a lot of attention for the way in which it weaves together a strong sense…
Uninventive and far too polite: BRB’s Black Sabbath – The Ballet reviewed
Not being an aficionado of the heavy-metal genre, I snootily suspected that I would rather be standing in the rain…
Why intellectuals love Disney
This month marks the 100th anniversary of Walt Disney’s company. The first cartoons it was founded to produce – the…
Virgin on the astonishing: Madonna, at The O2, reviewed
When I was a kid listening obsessively to AC/DC and Iron Maiden and Black Sabbath, I despaired of music writers.…
How Philip Guston became a hero to a new generation of figurative painters
Why do painters represent things? There was a time when the answers seemed obvious. Art glorified power, earthly and divine,…
Only goodwill will get you through this reboot: Paramount+’s Frasier reviewed
Remember the groans of dismay, possibly including your own, which greeted John Cleese’s announcement in February that he was reviving…
