Opera

I doubt Goethe intended Werther’s sorrows to be as unremitting as this

22 October 2015 2:00 pm

There are some things the French do better than everyone else. Cheese, military defeats and extra-marital affairs are a given,…

Ariadne shows what a wonderful operetta composer Richard Strauss could have been

17 October 2015 8:00 am

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Ariadne shows what a wonderful operetta composer Richard Strauss could have been

15 October 2015 2:00 pm

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Ariadne shows what a wonderful operetta composer Richard Strauss could have been

15 October 2015 2:00 pm

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

8 October 2015 2:00 pm

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

8 October 2015 2:00 pm

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

3 October 2015 9:00 am

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

1 October 2015 1:00 pm

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

1 October 2015 1:00 pm

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

26 September 2015 8:00 am

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

24 September 2015 1:00 pm

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

24 September 2015 1:00 pm

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

All roads lead to Callas

19 September 2015 8:00 am

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

All roads lead to Callas

17 September 2015 1:00 pm

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

Water torture: Aida on Sydney Harbour

All roads lead to Callas

17 September 2015 1:00 pm

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

Water torture: Aida on Sydney Harbour

Get me to an opera house

12 September 2015 9:00 am

In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…

Water torture: Aida on Sydney Harbour

Get me to an opera house

10 September 2015 1:00 pm

In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…

Water torture: Aida on Sydney Harbour

Get me to an opera house

10 September 2015 1:00 pm

In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…

Magic in the air: Berlin Comic Opera’s exuberant ‘Magic Flute’ at Edinburgh’s Festival Theatre

Shtumming the spiel

5 September 2015 9:00 am

London may cry foul over Hamlet’s misplaced to-be-ing and not-to-be-ing but Edinburgh is in raptures over a Magic Flute which…

Strauss-ful

29 August 2015 9:00 am

Richard Strauss’s Daphne is one of the operas he wrote during the excruciatingly long Indian summer of his composing life,…

Stravinsky’s ingenious toy

22 August 2015 9:00 am

Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…

Animal magic: François Piolino as the Frog in ‘L’enfant et les sortilèges’

Watching the clocks

15 August 2015 9:00 am

When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…

An abundance of spectacle: Iestyn Davies as David, with Sophie Bevan as Michal

Welcome to Bedlam

1 August 2015 9:00 am

Caius Gabriel Cibber’s statues of ‘Melancholy’ and ‘Raving Madness’, their eyes staring blindly into the void, petrified in torment, once…

Christopher Turner as Artemidoro, the romantic lead transformed into a raving hippy in Trofonio’s ‘cave’

Salieri’s revenge

25 July 2015 9:00 am

Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…