Richard Bratby

Too hot to Handel

5 August 2023 9:00 am

If directors will insist on staging Handel oratorios as if they’re operas, it makes sense to pick Semele, which is…

All’s well that ends well

29 July 2023 9:00 am

Bernstein’s Candide is the operetta that ought to work, but never quite does. Voltaire’s featherlight cakewalk through human misery, set…

Testament of cliché

15 July 2023 9:00 am

‘Ring out your bells for me, ivory keys! Weave out your spell for me, orchestra please!’ It’s lush stuff, the…

Featherweight fun

8 July 2023 9:00 am

‘Goodness Triumphant’ is the subtitle of Rossini’s La Cenerentola, and you’d better believe he delivers. It’s the sweetest thing imaginable;…

Festival finest

1 July 2023 9:00 am

Mysterious ways

1 July 2023 9:00 am

The Chester Mystery Plays date back to the 13th century – but are more popular now than ever, finds Richard Bratby

Children of the revolution

24 June 2023 9:00 am

The three Just Stop Oil protestors were sitting in the stalls, somewhere near the middle of the front row. Someone…

To die for

17 June 2023 9:00 am

There are a lot of corpses on stage at the end of Charles Edwards’s production of Tristan & Isolde for…

Fire and fizz

10 June 2023 9:00 am

Are you supposed to laugh at the end of Don Giovanni? Audiences often do, and they did at the end…

CSI: Seville

27 May 2023 9:00 am

Florid flummery

20 May 2023 9:00 am

Lightning sometimes strikes twice. English Touring Opera hit topical gold last spring when, wholly by coincidence, they found themselves touring…

No laughing matter

13 May 2023 9:00 am

As stage directions go, the The Magic Flute opens with a zinger. ‘Tamino enters from the right wearing a splendid…

Upstart Crow without the jokes

6 May 2023 9:00 am

The Swan Theatre has reopened after an overhaul and praise god: they’ve replaced the seats. The Swan is a likeable…

Modern myth

29 April 2023 9:00 am

Plus: a striking production of an operatic dud at ENO

Heaven sent

22 April 2023 9:00 am

Haydn’s The Creation is Paradise Lost without the Lost. True, the words aren’t exactly up there: translated into German by…

Catherine the great

15 April 2023 9:00 am

Since its première in 1984, Andrei Serban’s production of Puccini’s Turandot has been revived 15 times at Covent Garden, not…

They’re creepy and they’re kooky

1 April 2023 9:00 am

English National Opera has arrived at the Dead City, and who, before Christmas, would have given odds that this new…

Make mine a triple

25 March 2023 9:00 am

It does no harm, once in a while, to assume that the creators of an opera actually know what they’re…

Hot stuff

11 March 2023 9:00 am

Hector Berlioz dismissed Handel as ‘that tub of pork and beer’ but it wasn’t always like that. Picture a younger,…

Dated and dreadful

4 March 2023 9:00 am

Careful what you wish for. There can be no definitive way to stage an opera, and it’s the critic’s duty…

Talking trash

25 February 2023 9:00 am

On Finchleystrasse

18 February 2023 9:00 am

Halfway up the stairs to the Royal College of Music’s exhibition Music, Migration & Mobility is a map of NW3,…

Revival of the fittest

11 February 2023 9:00 am

Opera North has begun 2023 with a couple of big revivals, and it’s always rewarding to call in on these…

Screen time

4 February 2023 9:00 am

A classical concert programme is like a set menu, and for this palate the most tempting orchestral offering in the…

Mersey boy

28 January 2023 9:00 am

Daniel Barenboim was supposed to perform with the Royal Liverpool Philharmonic Orchestra earlier this month. His recent health concerns made…