Bold, self-assured reimagining of Monteverdi: Opera North's Orpheus reviewed
You wouldn’t like Tamerlano when he’s angry. ‘My heart seethes with rage,’ he sings, in Act III of Handel’s opera…
A miniature rite of a very English spring: a Vaughan Williams rediscovery in Liverpool
Imagine a folk dance without music. Actually, you don’t have to: poke about on YouTube and you’ll find footage from…
Grey, grey and more grey: Aida, at the Royal Opera House, reviewed
Grey. More grey. So very, very grey. That’s the main visual impression left by Robert Carsen’s new production of Verdi’s…
Why does opera always feel the need apologise for its plots?
Leos Janacek disliked long operas, and the first act of The Makropulos Affair is a masterclass in how to set…
More depravity, please: Salome, at the Royal Opera House, reviewed
The first night of the new season at Covent Garden was cancelled when the solemn news came through. The second…
Holds out huge promise for future seasons: If Opera's La Rondine reviewed
One swallow might not make a summer, but it certainly helps rounds the season off. ‘Perhaps, like the swallow, you…
The joy of Franck’s Symphony in D Minor: BBCSO/Gabel, at the Proms, reviewed
In the Rodgers and Hart musical On Your Toes, a Broadway hoofer is forced to work at a community college,…
An electrifying, immersive thrill: Scottish Opera's Candide reviewed
The first part of the adventure was getting there. Out of the subway, past the tower blocks and under the…
A classic in the making: Glyndebourne's Poulenc double bill reviewed
One morning in the 20th century, Thérèse wakes up next to her husband and announces that she’s a feminist. Hubby,…
Convincing performances and unexpected sounds: Opera Holland Park's Delius/Puccini double bill reviewed
Delius and Puccini: how’s that for an operatic odd couple? Delius, that most faded of British masters, now remembered largely…
With everything working properly, this would have been a lot of fun: Grange Park's La Gioconda reviewed
There are composers who are known for a single opera, and there are operas that are known for only a…
A bleeding, inch-thick hunk of verismo sirloin: Royal Opera's Cav and Pag reviewed
One legacy of lockdown in the classical music world has been the sheer length of the 21-22 season. In a…
Had the air of a Blue Peter Christmas special: Grange Festival's The Yeomen of the Guard reviewed
The Yeomen of the Guard has been called the ‘English Meistersinger’ but the more you think about that, the dafter…
A thoroughly enjoyable grand old heap of nothing: The Excursions of Mr Broucek reviewed
Sir David Pountney, it appears, has been to Prague. He’s booked himself a mini-break, he’s EasyJetted out, and after (one…
The opera that wouldn’t die
Richard Bratby on the resurrection of wunderkind Erich Korngold’s long-neglected masterpiece
A completely satisfying operatic experience: Opera North’s Parsifal reviewed
When Parsifal finally returns to Montsalvat, it’s Good Friday. He’s trodden the path of suffering but now the sun is…
Serves Ethel Smyth's opera magnificently: Glyndebourne's The Wreckers reviewed
You’ve got to hand it to Dame Ethel Smyth. Working in an era when to be a British composer implied…
Claude Vivier ought to be a modern classic. Why isn't he?
April is the cruellest month, but May is shaping up quite pleasantly and the daylight streamed in through the east…
Even Nelsons’s miscalculations are fascinating: Leipzig Gewandhaus/Andris Nelsons, at the Barbican, reviewed
Imagine growing up with a whole orchestra as your plaything. Richard Strauss’s father was the principal horn of the Munich…
Too affectionate, not enough cruelty: Don Pasquale, at the Royal Opera House, reviewed
There are many things to enjoy in the Royal Opera’s revival of Donizetti’s Don Pasquale, but perhaps the most surprising…
A fine cast, superbly conducted – just don't overthink the production: Royal Opera's Lohengrin reviewed
To be a Wagnerite is to enter the theatre in a state of paranoia. Mainstream culture has decided that Wagner…
Igor Levit deserved his standing ovation; Shostakovich, even more so
Music and politics don’t mix, runs the platitude. Looks a bit tattered now, doesn’t it? For Soviet musicians, of course,…
A spirited attempt to fix a show that’s never really flown: Utopia, Limited reviewed
Utopia, Limited (1893) is a rare bird, and one that every Gilbert and Sullivan completist simply has to bag. The…
Pitch-black satire drenched in an atmosphere of compelling unease: ETO's Golden Cockerel reviewed
Blame it on Serge Diaghilev. Rimsky-Korsakov died in 1908 and never saw the première of his last opera, The Golden…
Comes so close to greatness but succumbs to prejudice: Royal Opera's Peter Grimes reviewed
No question, the Royal Opera is on a roll. Just look at the cast list alone for Deborah Warner’s new…
