As the northern hemisphere, that ambiguous spectral homeland we’re conscious of, starts to open up, it’s easy to be envious of the Australians who are plying their trade in the world of art and entertainment. Barrie Kosky, who’s finishing up as the head of Die Komische Oper in Berlin has just done a swag of operas – and will continue to do more even as he ceases to run the company – and of these nothing could be more thrilling and intimidating than to do Brecht /Weill’s The Threepenny Opera at the Berliner Ensemble.
Already a subscriber? Log in
Get 10 issues
for $20
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $20.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in