Arts and culture
Why Threads is still the most terrifying film ever made
As we inch ever closer to Halloween, the inevitable lists of the scariest films ever made have already begun to…
Paul McCartney never got over his filmmaking flop
Witnessing the recent imperial progress of Taylor Swift’s Eras Tour, it occurred to me how impossible it is to imagine…
Distinctive ambitions
It will be fascinating to see the retrospective of work by Jan Senbergs who died this year and who looms…
Maturity and tenderness
So now it is spring and that carnival season with its promise of Melbourne Cups and AFL grand finals hits…
And then there was the voice
It was at Cape Liptrap that the call came through. The setting was almost absurdly beautiful, the sea one way…
Tragedy and lighter things
Noni Hazlehurst’s performance in Daniel Keene’s The Mother is a thing of wonder and terror, overwhelming in its power and…
Purring with cynical affection
It’s one of those weird paradoxes of history that we think of the Elizabethan era as the zenith of our…
Zany streak of British humour
The fact that Kip Williams is leaving the Sydney Theatre Company to stage The Picture of Dorian Gray with Sarah…
A man of incomparable beauty
It was sad to see that great French actor Alain Delon had died the other day. He was a man…
The power of surprise
You would think that Andrew Bovell, the man who wrote Lantana, would not be subject to the petty indignities of…
The standard of beauty
Maxim Vengerov is touted as one of the world’s greatest violinists, the kind of musician who can fill Carnegie Hall…
Deranged and fantastic horrors
For a century King Lear has been thought of as the greatest of Shakespeare’s tragedies and the title role as…
Rescued from the Comanches
Isn’t it extraordinary how the new-style, super-arty balletic circus has transformed the old child-delighting world of Heffalumps and daring young…
‘Damned spot’ of blood keeps appearing
People have always fiddled with Shakespeare. Nahum Tate did not give King Lear a happy ending because he was a…
A masterful magnificence
Edward Albee’s Who’s Afraid of Virginia Woolf? culminates the great stretch of American drama that runs from Tennessee Williams’ The…
No hint of vanity
The new documentary I Am: Celine Dion which just started on Amazon Prime Video and in cinemas begins with Maria…
A tribute to Ismail Kadare, a writer who really deserved a Nobel Prize
Apart from Bob Dylan and Kazuo Ishiguro, it’s a fair bet that most people’s reaction to the Nobel prizewinners for…
Greatness written all over him
It was fascinating to see Patti LuPone that immense Broadway musical star interviewed with such palpable reverence by the ABC’s…
‘Terrible but magnificent’: the life and times of playwright John Osborne
With the news the Almeida Theatre is to stage John Osborne’s 1956 play Look Back in Anger this Autumn as…
This shimmering desert haze
There’s something inspiring about getting an example of the national talent locking horns with the glory of traditional high culture,…
Phantom of her own career
Sunset Boulevard is one of the weirdest entertainment phenomena in the history of the world because it starts as a…
An imperfectly articulated plot
It seemed, on the face of it, a bizarre idea: opera at the Margaret Court arena. And Opera Australia was…
This distorting mirror of cruelty
Every so often a bit of streamer television comes along and makes you grateful for what the form can achieve…
In defence of Jonathan Yeo
If the basic job of a work of art is to be interesting, as I think it is, then Jonathan…
The once-in-a-generation genius of Alice Munro
In the early 2000s, a young Canadian writer who shall remain nameless found herself in the backseat of a car…
