Painting
Rich and strange: Eileen Agar at Whitechapel Gallery reviewed
Heads turn, strangers gawp, matrons tut or look in envy. A man doffs his bowler hat knowing when he is…
Joan Eardley deserves to be ranked alongside Bacon and de Kooning
Claudia Massie on the unjustly neglected artist Joan Eardley, who deserves to be ranked alongside Auerbach, Bacon and de Kooning
If you didn’t love Jansson already, you will now: Tove reviewed
Tove is a biopic of the Finnish artist Tove Jansson who, most famously, created the Moomins, that gentle family of…
The magical art of boxer, labourer & sometime gravedigger Eric Tucker
Artists’ estates can be a curse on a family. The painter dies, leaving the house stuffed with unsold canvases. What…
The art of government: what politicians’ paintings say about them
What politicians’ paintings say about them
The Dickensian delights of London in lockdown
I’m blessed by the fact that I live almost smack-bang in the middle of old London, a pebble’s toe punt…
An immensely rich show – though it consists of only two paintings: Rubens at the Wallace Collection reviewed
‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…
The world's first robot artist discusses beauty, Yoko Ono and the perils of AI
Stuart Jeffries discusses beauty, Yoko Ono and the world’s disappointments with the first robot artist
Rodin was as modern as Magritte and Dali, but more touching and troubling than either
Rodin’s studio at Meudon in the suburbs of Paris is huge and filled with light — a sort of combined…
The art of the asparagus
Manet’s ‘Botte d’asperges’ are probably the most famous asparagus in the world. The artist painted the delicious white- and lilac-tinged…
It is impossible to imagine Henrician England except through the eyes of Hans Holbein
‘Holbein redeemed a whole era for us from oblivion,’ remarks the author of a trilogy of novels set at Henry…
The high and low life of John Craxton
Charm is a weasel word; it can evoke the superficial and insincere, and engender suspicion and mistrust. But charm in…
The bizarre art of Scottie Wilson deserves to be better known
On eBay I have an alert set for ‘Scottie Wilson’. Nine times out of ten, it’s a diamanté Scottie dog…
‘I’ve seen the bare bones of London’: street painter Peter Brown interviewed
‘I’ve been seeing the bare bones of London,’ explains the landscape artist Peter Brown, who is known affectionately as ‘Pete…
The truth about my father, Philip Guston
Musa Mayer talks to Hermione Eyre about her father Philip Guston’s cancellation and her fear that he will for ever be known as the artist who painted the Ku Klux Klan
How Algernon Newton made great art out of empty streets and dingy canals
Quite late in life Walter Sickert paid his first visit to Peckham Rye. He was excited, apparently, because he had…
Why is the smoky, febrile art of Marcelle Hanselaar so little known?
I first became aware of the work of Marcelle Hanselaar in a mixed exhibition at the Millinery Works in Islington.…
Francis Bacon: king of the self-made myth
In 1953, Francis Bacon’s friends Lucian Freud and Caroline Blackwood were concerned about the painter’s health. His liver was in…
The rise of bad figurative painting
Galleries are awash with gimmicky paintings that look like they’ve been designed by algorithm. Dean Kissick on the rise of zombie figuration
Paint in the bloodstream: The Death of Francis Bacon, by Max Porter, reviewed
Francis Bacon once told the art critic Richard Cork: ‘I certainly hope I’ll go on till I drop dead.’ Max…
On the trail of one of the first artists to paint ordinary things
The Master of Flémalle was one of the first painters to depict in detail the reality of ordinary things. But who was he? Martin Gayford finds a prime suspect
Antony Gormley on why sculpture is far superior to painting
In an extract from their book, Antony Gormley tells Martin Gayford that the 3-D will always trump the 2-D
Entertaining – but there's one abomination: National Gallery's Sin reviewed
Obviously, we’re living through an era of censorious puritanism. Granted, the contemporary creeds are different from those of the 16th…
A high-end car-boot sale of the unconscious: Colnaghi’s Dreamsongs reviewed
In 1772 the 15-year-old Mozart wrote a one-act opera set, like The Magic Flute, in a dream world. Il sogno…
The mediums who pioneered abstract art
The mediumistic art of various cranks, crackpots and old dowagers is finally being taken seriously – and about time too, says Laura Gascoigne
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