Painting
A brief introduction to Scottish art
When Nikolaus Pevsner dedicated his 1955 Reith Lectures to ‘The Englishness of English Art’, he left out the Scots. The…
The jewel-bright, mesmerisingly detailed pictures by Raqib Shaw are a revelation
Describing the Venice Biennale, like pinning down the city itself, is a practical impossibility. There is just too much of…
Artist, actor, social justice warrior, serial killer: the many faces of Walter Sickert
Artist, actor, social justice warrior, serial killer. Laura Gascoigne on the many faces of Walter Sickert
The beauty of gasholders
Dan Hitchens on the beauty of gasholders
You’d never guess from her art how passionate Gwen John was
‘Dearest Gwen,’ writes Celia Paul, born 1959, to Gwen John, died 1939, ‘I know this letter to you is an…
Valuable reassessment of British art: Barbican's Postwar Modern reviewed
Notoriously, the past is another country: what’s more, it’s a terrain for which the guidebooks need constantly to be rewritten.…
The shadowy charisma of the Mater Dei sisters
Catriona has a commission to paint the 17th-century façade of the chapel of St Joseph’s. She’d made a start when…
Renaissance radical: Carlo Crivelli – Shadows on the Sky at Ikon Gallery reviewed
‘Camp,’ wrote Susan Sontag, ‘is the paintings of Carlo Crivelli, with their real jewels and trompe-l’oeil insects and cracks in…
Astonishing and gripping: Van Gogh's Self Portraits at the Courtauld reviewed
In September 1889, Vincent van Gogh sent his brother Theo a new self-portrait from the mental hospital at Saint-Rémy-de-Provence. ‘You…
The art of the high street
Daisy Dunn on the painters who celebrate shop fronts
The fascination of house fronts: Where We Live at Millennium Gallery reviewed
Paintings of houses go back a long way in British art: the earliest landscape in Tate Britain is a late…
Feral showstoppers and some of the greatest paintings of the 20th century: Francis Bacon at the RA reviewed
Francis Bacon sensed our inner beastliness and painted it with astonishing power, says Martin Gayford
Why do British galleries shun the humane, generous art of Ruskin Spear?
Where do you see paintings by Ruskin Spear (1911–90)? In the salerooms mostly, because his work in public collections is…
Ethereal and allusive, all nuance and no schmaltz: Helen Frankenthaler, at Dulwich Gallery, reviewed
In 1950 the 21-year-old painter Helen Frankenthaler, fresh out of college, went to an exhibition at New York’s Betty Parson’s…
This radical Nativity is also one of the great whodunnits of art history
Martin Gayford on a radical Nativity that is the subject of one of the great whodunnits of art history
Ignore the wall text and focus on the magnificent paintings: Tate Britain's Hogarth and Europe reviewed
There are, perhaps, two types of exhibition visitor. Those who read the texts on the walls and those who don’t.…
His final paintings are like Jackson Pollocks: RA's Late Constable reviewed
On 13 July 1815, John Constable wrote to his fiancée, Maria Bicknell, about this and that. Interspersed with a discussion…
Albrecht Dürer was a 16th-century Andy Warhol
Gossipy, amusing, a little vain, Albrecht Dürer was a 16th-century Andy Warhol, says Martin Gayford
The best podcasts to help you become a better painter
There’s a great documentary film on Netflix at the moment about the late artist Bob Ross, he of the happy…
The frisky side of a classical master: National Gallery's Poussin and the Dance reviewed
In the winter of 1861, visitors to the Louvre might have seen a young artist painstakingly copying one of the…
The genius of Frans Hals
Since art auctions were invented, they have served to hype artists’ prices. It can happen during an artist’s lifetime —…
Fortifying snapshot of the gardener’s year: Saatchi Gallery's RHS Botanical Art show reviewed
Elizabeth Blackadder, who died last month at the age of 89, was probably the most distinctive botanical artist of our…
Glorious: Bernardo Bellotto at the National Gallery reviewed
What is the National Gallery playing at? Why, in this summer of stop-start tropical storms, is the NG making visitors…
Hugely pleasurable – a vision of summer: Jennifer Packer at the Serpentine Gallery reviewed
We need to talk about Eric. In Jennifer Packer’s portrait of her friend and fellow artist, Eric N. Mack sits…
Rich and strange: Eileen Agar at Whitechapel Gallery reviewed
Heads turn, strangers gawp, matrons tut or look in envy. A man doffs his bowler hat knowing when he is…
